Considering the great influence textbooks have as interpreters of history, politics and culture to future generations of citizens, it is no surprise that they generate considerable controversy. Focusing largely on textbook treatment of lingering - and sometimes explosive - tensions originating in World War II, "Censoring History" addresses issues of textbook nationalism in historical and comparative perspective. Discussions include Japan's Comfort Women and the Nanjing Massacre; Nazi genocide against the Jews, Gypsies, Catholics and others; Hiroshima and Nagasaki, and the Indochina wars. The essays address controversies over textbook content around the globe: How and why do specific representations of war evolve? What are the international and national forces affecting how textbook writers, publishers and state censors depict the past? How do these forces differ from country to country? Other comparative essays analyze nationalist and war controversies in German, US and Chinese textbook debates.

Considering the great influence textbooks have as interpreters of history, politics and culture to future generations of citizens, it is no surprise that they generate considerable controversy. Focusing largely on textbook treatment of lingering - and sometimes explosive - tensions originating in World War II, "Censoring History" addresses issues of textbook nationalism in historical and comparative perspective. Discussions include Japan's Comfort Women and the Nanjing Massacre; Nazi genocide against the Jews, Gypsies, Catholics and others; Hiroshima and Nagasaki, and the Indochina wars. The essays address controversies over textbook content around the globe: How and why do specific representations of war evolve? What are the international and national forces affecting how textbook writers, publishers and state censors depict the past? How do these forces differ from country to country? Other comparative essays analyze nationalist and war controversies in German, US and Chinese textbook debates.

First published in 1997, this volume responds to attention in recent years which has been belatedly directed towards reviving World War II issues involving Japan. This study deals first with the manner in which such issues so long fell into abeyance under Cold War conditions, while tracing the vast and varied writing on the war which meanwhile appeared within Japan. Evolving Japanese views on the war are largely focused on debate over the revision of the postwar constitution, especially its renunciation of "war potential". The book also contains the first overview of the decades-long litigation within Japan on the screening of textbooks, especially on the war.

The first book-length study to examine the re-writing of school textbooks by the Japanese Education Ministry in an attempt to play down atrocities in China during World War II. The famous textbook crisis in 1982 was at the centre of a diplomatic storm extending through the 1980s as Sino-Japanese relations were beset by a series of political controversies. This fascinating account of the period reveals that Chinese and Japanese policy-makers were more concerned with changes taking place in international and domestic politics than with adopting a correct view of history.

In the past several years, hundreds of challenges a year to books used in public schools have been reported across the nation. Most of these have come from the Religious Right. This book confronts the attacks on public education and commonly used literature books by challenging the religious assumptions, the biblical interpretations, and the intimidation tactics of the Religious Right. Part I counters the claims of these censors by presenting opposing views on democracy, secular humanism, religion, the Bible, morality, and the purposes of literature. In Part II, six books frequently taught in high school classes are analyzed. Edwards shows why they have been challenged by the Religious Right, and presents a case for their moral and religious virtues as well as their literary worth. The book differs from other anti-censorship works because it deals primarily and directly with the religious and moral aspects that educators often tend to avoid. This book offers teachers and school administrators scholarly conterarguments that can help confront with literature challenges from the Religious Right.

An essay in literary criticism with a difference, addressing the nature of blasphemy and using selected novels by Salman Rushdie, Najib Mahfuz and Nikos Kazantzakis as case studies.

As Americans we often take our freedom of speech for granted. When we talk about censorship we talk about China, the former Soviet Union. But the recent presidential election has shined a spotlight on profound acts of censorship in our own backyard. Both provocative and timely, "Burn this Book" includes a sterling list of award-winning writers; it is sure to ignite spirited dialogue. In "Witness: The Inward Testimony", Nadine Gordimer discusses the role of the writer as observer, and as someone who sees what is really taking place. She looks to Proust, Oe, Flaubert, Graham Green to see how their philosophy squares with her own, ultimately concluding Literature has been and remains a means of people rediscovering themselves. In "Freedom to Write", Orham Pamuk elegantly describes escorting Arthur Miller and Harold Pinter around Turkey and how that experience changed his life. In "The Value of the Word" Salman Rushdie shares a story from Bugakov's novel "The Master and the Margarita", in which the Devil talks to a frustrated writer called The Master. The writer is so upset with his own work he decides to burn it: How could you do that? The devil asks. Manuscripts do not burn. Indeed, manuscripts do not burn, Rushdie argues, but writers do.

Schools need to be able to regulate sexting, but at what point are administrators infringing on students' rights? Is teenage sexting a violation of child pornography laws? This book tackles these tough issues and others. In several states, teenagers who engage in "sexting" could be in violation of child pornography laws-and if convicted of such, teens could end up on sex offender lists with rapists and child molesters. The authors of this text examine this thorny issue, arguing that teenagers who have engaged in consensual sexting should not automatically be punished under child pornography laws. Equally important: the book presents in-depth analysis of the issue of school regulations on sexting pursuant to the Free Speech Clause. This book is the first volume devoted to the topic of consensual student sexting, and how the First Amendment may apply to this unique 21st-century phenomenon. It provides an overview of sexting laws in the United States and does a thorough job of discussing the First Amendment issues that all policymakers, educators, and child advocates should be aware of. Provides clear analysis of current child pornography statutes and case law Discusses the unintended consequences of sexting to the lives of teenagers Presents suggestions regarding how pornography laws can be adjusted to account for adolescent behavior in the modern context

Jack Censer's achievement in "The French Press in the Age of Enlightenment" is to marshal a vast literature in order to provide a coherent and original interpretation of the role of the French press in the dissemination of social and political ideas in the pre-revolution years. With 1,000 titles and thousands of journalists, the periodical constituted an important phenomenon in French intellectual life; yet scholars in the absence of a synthetic treatment have failed to integrate it into their accounts. This study allows construction of a far richer picture of the politics and intellectual life of the period, and counters the standard view of the Old Regime political system as already fatally undermined well before the revolution.
The first half of the book considers the message in the political press, literary and philosophical journals, and local advertisers, while the remainder analyzes readers and reading, the role of government, and the personnel of the press. These subjects contribute to a number of different historical debates, including current discussions of the identity and the role of readers. This book gives a strikingly new historical analysis of the period immediately before 1789.

First published in 1988. This book shows how censorship as a set of institutions, practices and discourses was involved in the struggle over the nature of cinema in the early twentieth century. It also reveals the part played in this struggle by other institutions, practices and discourses - for example 'new' knowledge about sexuality and organisations devoted to the promotion of public morality. Instead of censorship simply being an act of prohibition by a special institution, this work reveals the issues at work were far more complex and contradictory - opening up critical scrutiny and challenging assumptions. This title will be of interest to students of media and film studies.

This issue includes articles on the current differences and debates between feminists on the questions around pornography and censorship. This book should be of interest to general, as well as students of women's studies, women's history, sociology and literature by women.

This book demonstrates how people were kept ignorant by censorship and indoctrinated by propaganda. Censorship suppressed all information that criticized the army and government, that might trouble the population or weaken its morale. Propaganda at home emphasized the superiority of the fatherland, explained setbacks by blaming scapegoats, vilified and ridiculed the enemy, warned of the disastrous consequences of defeat and extolled duty and sacrifice. The propaganda message also infiltrated entertainment and the visual arts. Abroad it aimed to demoralize enemy troops and stir up unrest among national minorities and other marginalized groups. The many illustrations and organograms provide a clear visual demonstration of Demm's argument.

The WikiLeaks publisher and free speech campaigner Julian Assange has, since April 2019, been remanded at a maximum security prison in London facing extradition to the United States over WikiLeaks' groundbreaking 2010 publications. Now, in this crisp anthology, Assange's voice emerges - erudite, analytic and prophetic. Julian Assange In His Own Words provides a highly accessible survey of Assange's philosophy and politics, conveying his views on how governments, corporations, intelligence agencies and the media function. As well as addressing the significance of the vast trove of leaked documents published by WikiLeaks, Assange draws on a polymathic intelligence to range freely over quantum physics, Greek mythology, macroeconomics, modern literature, and empires old and new. Drawing on his insights as the world's most famous free speech activist Assange invites us to ask further questions about how power operates in a world increasingly dominated by a ubiquitous internet. Assange may be gagged, but in these pages his words run free, providing both an exhortation to fight for a better world and an inspiration when doing so.

This book focuses on regulatory challenges of creating and sustaining freedom of speech and freedom of information two decades after the fall of the Berlin wall, in global, comparative context. Some chapters overview, others address specific issues, or describe country case studies. Instead of trying to provide an exhaustive assessment which in one volume might not reach deeper analyzes of contextual details, this book will shed light on and help better understanding of general challenges for freedom of speech and information through varying comparative examples and highlighting important regulatory questions.

In 1994, artistic freedom pertaining inter alia to literature was enshrined in the South African Constitution. Clearly, the establishment of this right was long overdue compared to other nations within the Commonwealth. Indeed, the legal framework and practices regarding the regulation of literature that were introduced following the nation's transition to a non-racial democracy seemed to form a decisive turning point in the history of South African censorship of literature. This study employs a historical sociological point of view to describe how the nation's emerging literary field helped pave the way for the constitutional entrenchment of this right in 1994. On the basis of institutional and poetological analyses of all the legal trials concerning literature that were held in South Africa during the period 1910-2010, it describes how the battles fought in and around the courts between literary, judicial and executive elites eventually led to a constitutional exceptio artis for literature. As the South African judiciary displayed an ongoing orientation towards both English and American law in this period, the analyses are firmly placed in the context of developments occurring concurrently in these two legal systems.

Despite the end of the Cold War, America's national security apparatus for controlling information has remained in place. However, sex and secularism are emerging as the major targets of censorship. Federal decency standards have been imposed on art, the broadcast media, and the Internet. Virtually every major political issue of the 1990s (abortion, campaign finance, violence on TV, homosexuality, indecency on the Internet) has First Amendment implications, and all are included in this comprehensive encyclopedia. This work covers the full history of America's struggle for free expression, as well as the contemporary dynamics represented by pop figures like Frank Zappa, Howard Stern, and Danny Goldberg and politicians like Jesse Helms and Don Edwards. It goes beyond other academic works of its kind by recognizing the primacy of the mass media and the Internet in defining the modern contours of the First Amendment.

Here is an inside look at how a Congressional Committee, supported by the Nixon White House, sought to establish control over broadcast news by investigating editorial news judgment. Frank Stanton, legendary President of CBS, refused to produce outtakes from the award-winning documentary, The Selling of the Pentagon, subpoenaed by the Committee in an attempt to condemn the program and CBS. The Committee voted to hold Stanton and CBS in contempt, and the House of Representatives held a full debate on its power to investigate and control broadcast news. Had Stanton not taken up the fight he describes to gain First Amendment protection, broadcast news would have been shaped by Congressional hearings and intimidation. Will new electronic media publishers resist such government efforts on the Information Superhighway? Fighting for the First Amendment can serve as a model for that struggle. Finally Stanton's story is told in his own words in this extraordinary account of his fight to secure First Amendment freedom for the news media. This remarkable book examines the ongoing conflict between media and government and dismisses the theory that press regulation by a government agency is desirable. CBS's fight over The Selling of the Pentagon clearly illustrates how government interference can keep vital information from the public. Broadcast news history shows that press regulations are not benign-despite government claims-and once they are in place, neither great resources nor the urgent need for truth may fully remove them. As public opinion polls show increasing support for such regulations, Stanton's story serves as a timely reminder of the need for a press free of government interference as print, cable, broadcast and satellite news move onto the Information Superhighway.

"Sex and Violence" examines the history and social dynamics of film censorship in the United States. It examines censorship controversies throughout film history, from the beginning of cinema in the 1890s to the present. The book focuses both on formal censorship systems, including state and local censorship boards and industry self-regulation efforts, to unofficial censorship rendered by pressure groups and powerful social movements. It probes beneath the official rhetoric and explanations, revealing sensitive, festering controversies.The book critically examines dozens of Hollywood s most controversial (and interesting) movies, focusing on recurring issues and censorship themes. The book reveals the social and political processes of vetting films and their effect on film form and content. In addition, it examines the use of sexuality and violence in movies and the effects of movie censorship on those issues. Finally, it analyzes and makes recommendations for dramatic changes in motion picture ratings."

Helps scholars to examine historical press censorship in England. This title draws together around 500 texts, reaching across 140 years from the rigours of the Elizabethan Star Chamber Decree to the publication of "Cato's Letters", which famously advanced principles of free speech.

"Sex and Violence" examines the history and social dynamics of film censorship in the United States. It examines censorship controversies throughout film history, from the beginning of cinema in the 1890s to the present. The book focuses both on formal censorship systems, including state and local censorship boards and industry self-regulation efforts, to unofficial censorship rendered by pressure groups and powerful social movements. It probes beneath the official rhetoric and explanations, revealing sensitive, festering controversies.The book critically examines dozens of Hollywood s most controversial (and interesting) movies, focusing on recurring issues and censorship themes. The book reveals the social and political processes of vetting films and their effect on film form and content. In addition, it examines the use of sexuality and violence in movies and the effects of movie censorship on those issues. Finally, it analyzes and makes recommendations for dramatic changes in motion picture ratings."

Modes of Censorship and Translation articulates a variety of scholarly and disciplinary perspectives and offers the reader access to the widening cultural debate on translation and censorship, including cross-national forms of cultural fertilization. It is a study of censorship and its patterns of operation across a range of disciplinary settings, from media to cultural and literary studies, engaging with often neglected genres and media such as radio, cinema and theatre. Adopting an interdisciplinary and transnational approach and bringing together contributions based on primary research which often draws on unpublished archival material, the volume analyzes the multi-faceted relationship between censorship and translation in different national contexts, including Italy, Spain, Great Britain, Greece, Nazi Germany and the GDR, focusing on the political, ideological and aesthetic implications of censorship, as well as the hermeneutic play fostered by any translational act. By offering innovative methodological interpretations and stimulating case studies, it proposes new readings of the operational modes of both censorship and translation. The essays gathered here challenge current notions of the accessibility of culture, whether in overtly ideological and politically repressive contexts, or in seemingly 'neutral' cultural scenarios.

This is the second volume of Melvin Lasky's The Language of Journalism, praised as a "brilliant" and "original" study in communications and contemporary language, and as "a joy to read." It broke ground in focusing on the comparative styles and prejudices of mainstream American and British newspapers, and in its trenchant analysis of their systematic debasement in the face of obligatory platitudes and compulsory euphemisms. Lasky's subtle and richly detailed text documents the possibly terminal crisis affecting honest, thoughtful, and independent journalism in the Western world. It extends the research in his first volume, and deepens the interpretation. It also adds the personal touch of both wit and anecdote expressed by an experienced international journalist and historian. The central chapters on the "F-word" carry the public emergence of the infamous "expletive deleted" beyond the conventional lexicographer's approach. Lasky's pages on the use of formerly forbidden language is a triumph of sinuous semantics. Here, in incisive analysis, is the tortuous struggle of a once Puritanized literary culture writhing to break free of censorship and self-censorship. Lasky critically evaluates the historic effort of the avant-garde of "dirty realism" to find a path towards what he calls "a usable profanity." In the meantime, newspaper style books become comic texts, as asterisks take over from square brackets and millions of readers purse their lips and indulge in "participatory obscenity." In dealing fully with the phenomenon of profanity, the new book adds another dimension to Lasky's thesis on mass culture's trivialization of real social and political phenomena. It underscores as well oursociety's embrace of banality, in standardizing politically correct jargon, slang, patois, pidgin, and various other "grunts and growls." The reader of the first volume will find here a wholly new range of references to illuminate the detail of what our newspapers have been publishing, and how the alert and sophisticated reader can make sense of the realities they purport to represent.

A former U.S. Assistant Secretary of State and currently a Distinguished Fellow at the Heritage Foundation, Kim R. Holmes surveys the state of liberalism in America today and finds that it is becoming its opposite-illiberalism-abandoning the precepts of open-mindedness and respect for individual rights, liberties, and the rule of law upon which the country was founded, and becoming instead an intolerant, rigidly dogmatic ideology that abhors dissent and stifles free speech. Tracing the new illiberalism historically to the radical Enlightenment, a movement that rejected the classic liberal ideas of the moderate Enlightenment that were prominent in the American Founding, Holmes argues that today's liberalism has forsaken its American roots, incorporating instead the authoritarian, anti-clerical, and anti-capitalist prejudices of the radical and largely European Left. The result is a closing of the American liberal mind. Where once freedom of speech and expression were sacrosanct, today liberalism employs speech codes, trigger warnings, boycotts, and shaming rituals to stifle freedom of thought, expression, and action. It is no longer appropriate to call it liberalism at all, but illiberalism-a set of ideas in politics, government, and popular culture that increasingly reflects authoritarian and even anti-democratic values, and which is devising new strategies of exclusiveness to eliminate certain ideas and people from the political process. Although illiberalism has always been a temptation for American liberals, lurking in the radical fringes of the Left, it is today the dominant ideology of progressive liberal circles. This makes it a new danger not only to the once venerable tradition of liberalism, but to the American nation itself, which needs a viable liberal tradition that pursues social and economic equality while respecting individual liberties.

Through a series of interview with prominent Romanian literary figures and a selection of their writings, Lidia Vianu asks how, under Communism, did Romanian writers cope with constant ideological shifts and, in turn, respond to the censorship that so often accompanied such changes? Now that Romania has emerged from almost 50 years of Communist rule, what is the current status of censorship?

Censorship in Romania offers a series of subversive writings that not only indicted Communism but were also widely embraced by the Romanian public.