How civil liberties triumphed over national insecurity Between the two major red scares of the twentieth century, a police raid on a Communist Party bookstore in Oklahoma City marked an important lesson in the history of American freedom. In a raid on the Progressive Bookstore in 1940, local officials seized thousands of books and pamphlets and arrested twenty customers and proprietors. All were detained incommunicado and many were held for months on unreasonably high bail. Four were tried for violating Oklahoma's "criminal syndicalism" law, and their convictions and ten-year sentences caused a nationwide furor. After protests from labor unions, churches, publishers, academics, librarians, the American Civil Liberties Union, members of the literary world, and prominent individuals ranging from Woody Guthrie to Eleanor Roosevelt, the convictions were overturned on appeal. Shirley A. Wiegand and Wayne A. Wiegand share the compelling story of this important case for the first time. They reveal how state power-with support from local media and businesses-was used to trample individuals' civil rights during an era in which citizens were gripped by fear of foreign subversion. Richly detailed and colorfully told, Books on Trial is a sobering story of innocent people swept up in the hysteria of their times. It marks a fascinating and unnerving chapter in the history of Oklahoma and of the First Amendment. In today's climate of shadowy foreign threats-also full of unease about the way government curtails freedom in the name of protecting its citizens-the past speaks to the present.

"If anything is more corrupting than power, it is power exercised in secret. Angus Mackenzie's magnificently researched, lucidly written study of the CIA's outrageous threats to freedom in America over the years is a summons to vigilance to protect our democratic institutions."--Daniel Schorr

"The late Angus Mackenzie has left an appropriate legacy in Secrets: The CIA's War at Home, a fitting capstone to his long career of exposing government secrecy and manipulation of public information. Secrets is a detailed, fascinating and chilling account of the agency's program of disinformation and concealment of public information against its own citizens."--Ben H. Bagdikian, author of "The Media Monopoly

"Scrupulously reported, fleshed out with a fascinating cast of characters, skillfully illuminating a subject the news media seldom looked into and never got straight, Angus Mackenzie's last and best work richly deserves a posthumous Pulitzer--for nonfiction, history, or both."--Jon Swan, former senior editor, "Columbia Journalism Review

"This courageous, uncompromising book belongs on the bookshelf of every serious student of journalism and the First Amendment."--Tom Goldstein, Dean, Graduate School of Journalism, Columbia University

How did writers convey ideas under the politically repressive conditions of state socialism? Did the perennial strategies to outwit the censors foster creativity or did unintentional self-censorship lead to the detriment of thought? Drawing on oral history and primary source material from the Editorial Board of the Czechoslovak Academy of Sciences and state science policy documents, Libora Oates-Indruchova explores to what extent scholarly publishing in state-socialist Czechoslovakia and Hungary was affected by censorship and how writers responded to intellectual un-freedom. Divided into four main parts looking at the institutional context of censorship, the full trajectory of a manuscript from idea to publication, the author and their relationship to the text and language, this book provides a fascinating insight into the ambivalent beneficial and detrimental effects of censorship on scholarly work from the Prague Spring of 1968 to the Velvet Revolution of 1989. Censorship in Czech and Hungarian Academic Publishing, 1969-89 also brings the historical censorship of state-socialism into the present, reflecting on the cultural significance of scholarly publishing in the light of current debates on the neoliberal academia and the future of the humanities.