How did writers convey ideas under the politically repressive conditions of state socialism? Did the perennial strategies to outwit the censors foster creativity or did unintentional self-censorship lead to the detriment of thought? Drawing on oral history and primary source material from the Editorial Board of the Czechoslovak Academy of Sciences and state science policy documents, Libora Oates-Indruchova explores to what extent scholarly publishing in state-socialist Czechoslovakia and Hungary was affected by censorship and how writers responded to intellectual un-freedom. Divided into four main parts looking at the institutional context of censorship, the full trajectory of a manuscript from idea to publication, the author and their relationship to the text and language, this book provides a fascinating insight into the ambivalent beneficial and detrimental effects of censorship on scholarly work from the Prague Spring of 1968 to the Velvet Revolution of 1989. Censorship in Czech and Hungarian Academic Publishing, 1969-89 also brings the historical censorship of state-socialism into the present, reflecting on the cultural significance of scholarly publishing in the light of current debates on the neoliberal academia and the future of the humanities.

Immerse yourself in the stories behind the most shocking and infamous books ever published! Censorship of one form or another has existed almost as long as the written word, while definitions of what is deemed "acceptable" in published works have shifted over the centuries, and from culture to culture. Banned Books explores why some of the world's most important literary classics and seminal non-fiction titles were once deemed too controversial for the public to read - whether for challenging racial or sexual norms, satirizing public figures, or simply being deemed unfit for young readers. From the banning of All Quiet on the Western Front and the repeated suppression of On the Origin of the Species, to the uproar provoked by Lady Chatterley's Lover, entries offer a fascinating chronological account of censorship and the astonishing role that some banned books have played in changing history. Packed with eye-opening insights into the history of the written word and the political and social climate during the period of suppression or censorship, this is a must-read for anyone interested in literature; creative writing; politics; history or law. Delve into this compelling collection of the world's most controversial books to discover: - Covers a broad range of genres and subject areas in fiction and non-fiction, ranging from Alice's Adventures in Wonderland to Spycatcher - Offers informative insights into society, politics, law, and religious belief, in different countries around the world - Features images of first editions and specially commissioned illustrations of the books' authors - Includes extracts from the banned books along with key quotations about them - Completely global in scope A must-have volume for avid readers and literary scholars alike, alongside those with an interest in the law, politics and censorship, Banned Books profiles a selection of the most infamous, intriguing and controversial books ever written, whilst offering a unique perspective on the history of the written world - with insights into the often surprising reasons books have been banned throughout history and across the world. Whether as a gift or self-purchase, this brilliant book is a must-have addition to the library of curious thinkers, borrowers and lifelong learners. If you enjoy Banned Books, then why not try Great Loves - the first title in DK's quirky new hardback series, full of insightful and intriguing topics.

From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War.

Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen.

There were few elements of cinematic production beyond Breen's reach--he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era--and an individual both feared and admired--to vivid life.

Political races in the United States rely heavily on highly paid political consultants. In Building a Business of Politics, Adam Sheingate traces the history of political consultants from its origins in the publicity experts and pollsters of the 1920s and 1930s to the strategists and media specialists of the 1970s who transformed political campaigns into a highly profitable business. Today, consultants command a hefty fee from politicians as they turn campaign cash from special interest groups and wealthy donors into the advertisements, polls, and direct mail solicitations characteristic of modern campaigns. The implications of this system on the state of American democracy are significant: a professional political class stands between the voters and those who claim to represent them. Building a Business of Politics is both a definitive account of the consulting profession and a powerful reinterpretation of how political professionals reshaped American democracy in the modern era.

WikiLeaks is famous-or infamous-for publishing secret material, including classified government documents, confidential videos and emails, and information leaked by whistleblowers, some of them anonymous, others revealing their identities. WikiLeaks claims to have compiled a database of more than ten million "forbidden" documents. Its founder and leader, Australian activist Julian Assange proclaims that the public is entitled to the truth and that "information wants to be free." WikiLeaks activities have polarized opinion, with some claiming its operations are traitorous and harmful, and others defending its releases as necessary exposure of wrongdoing. In WikiLeaking: The Ethics of Secrecy and Exposure, professional philosophers with diverse opinions and backgrounds deliver their provocative insights into WikiLeaks. If leaking secrets sometimes causes harm, can this harm be outweighed by the benefit of more people knowing the truth? How much of WikiLeaks information is true, and does it matter that some of it might be erroneous or misleading through lack of context? Is the prevalence of leaking an automatic outcome of the value of free expression, as enshrined in the First Amendment? If it's wrong to lie, does this imply that it's always right to speak the truth? Does selective media bias require to be countered by unpredictable leaking? Can there be too much information? And if so, how can citizens protect themselves against information overload? WikiLeaks activists are guided by a code of ethics. How does this compare with the professional ethics of conventional journalists? When French politician Emmanuel Macron included deliberate falsehoods in his emails, knowing they would be leaked, he showed the relation between leaking and "bullshit," as defined by Harry Frankfurt. Can we expect the prevalence of leaking to increase the volume of bullshit? The existence of government necessitates the practice of subterfuge and double-dealing by statesmen, but the culture of democracy calls for transparency. How can we fix the boundary between necessary deception and the public's "right to know"? Leaking exposes what some powerful person wants to be kept secret. Is leaking always justified whenever that person wants to keep their own immoral actions secret, and is leaking not justified when the keeper of secrets has done nothing wrong?

'Censorship may have to do with literature', Nadine Gordimer once said, 'but literature has nothing whatever to do with censorship.'
As the history of many repressive regimes shows, this vital borderline has seldom been so clearly demarcated. Just how murky it can sometimes be is compellingly exemplified in the case of apartheid South Africa. For reasons that were neither obvious nor historically inevitable, the apartheid censors were not only the agents of the white minority government's repressive anxieties about the medium of print. They were also officially-certified guardians of the literary. This book is centrally about the often unpredictable cultural consequences of this paradoxical situation.
Peter D. McDonald brings to light a wealth of new evidence - from the once secret archives of the censorship bureaucracy, from the records of resistance publishers and writers' groups both in the country and abroad - and uses extensive oral testimony. He tells the strangely tangled stories of censorship and literature in apartheid South Africa and, in the process, uncovers an extraordinarily complex web of cultural connections linking Europe and Africa, East and West.
The Literature Police affords a unique perspective on one of the most anachronistic, exploitative, and racist modern states of the post-war era, and on some of the many forms of cultural resistance it inspired. It also raises urgent questions about how we understand the category of the literary in today's globalized, intercultural world.

With his uncanny ability to spark life in the past, Robert Darnton re-creates three historical worlds in which censorship shaped literary expression in distinctive ways. In eighteenth-century France, censors, authors, and booksellers collaborated in making literature by navigating the intricate culture of royal privilege. Even as the king's censors outlawed works by Voltaire, Rousseau, and other celebrated Enlightenment writers, the head censor himself incubated Diderot's great Encyclopedie by hiding the banned project's papers in his Paris townhouse. Relationships at court trumped principle in the Old Regime. Shaken by the Sepoy uprising in 1857, the British Raj undertook a vast surveillance of every aspect of Indian life, including its literary output. Years later the outrage stirred by the British partition of Bengal led the Raj to put this knowledge to use. Seeking to suppress Indian publications that it deemed seditious, the British held hearings in which literary criticism led to prison sentences. Their efforts to meld imperial power and liberal principle fed a growing Indian opposition. In Communist East Germany, censorship was a component of the party program to engineer society. Behind the unmarked office doors of Ninety Clara-Zetkin Street in East Berlin, censors developed annual plans for literature in negotiation with high party officials and prominent writers. A system so pervasive that it lodged inside the authors' heads as self-censorship, it left visible scars in the nation's literature. By rooting censorship in the particulars of history, Darnton's revealing study enables us to think more clearly about efforts to control expression past and present.

The Internet was supposed to be an antidote to authoritarianism. It can enable citizens to express themselves freely and organize outside state control. Yet while online activity has helped challenge authoritarian rule in some cases, other regimes have endured: no movement comparable to the Arab Spring has arisen in China. In Contesting Cyberspace in China, Rongbin Han offers a powerful counterintuitive explanation for the survival of the world's largest authoritarian regime in the digital age. Han reveals the complex internal dynamics of online expression in China, showing how the state, service providers, and netizens negotiate the limits of discourse. He finds that state censorship has conditioned online expression, yet has failed to bring it under control. However, Han also finds that freer expression may work to the advantage of the regime because its critics are not the only ones empowered: the Internet has proved less threatening than expected due to the multiplicity of beliefs, identities, and values online. State-sponsored and spontaneous pro-government commenters have turned out to be a major presence on the Chinese internet, denigrating dissenters and barraging oppositional voices. Han explores the recruitment, training, and behavior of hired commenters, the "fifty-cent army," as well as group identity formation among nationalistic Internet posters who see themselves as patriots defending China against online saboteurs. Drawing on a rich set of data collected through interviews, participant observation, and long-term online ethnography, as well as official reports and state directives, Contesting Cyberspace in China interrogates our assumptions about authoritarian resilience and the democratizing power of the Internet.

Better Left Unsaid is in the unseemly position of defending censorship from the central allegations that are traditionally leveled against it. Taking two genres generally presumed to have been stymied by the censor's knife-the Victorian novel and classical Hollywood film-this book reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art. As much as Victorianism is equated with such cultural impulses as repression and prudery, few scholars have explored the Victorian novel as a "censored" commodity-thanks, in large part, to the indirectness and intangibility of England's literary censorship process. This indirection stands in sharp contrast to the explicit, detailed formality of Hollywood's infamous Production Code of 1930. In comparing these two versions of censorship, Nora Gilbert explores the paradoxical effects of prohibitive practices. Rather than being ruined by censorship, Victorian novels and Hays Code films were stirred and stimulated by the very forces meant to restrain them.

For more than four hundred years, the Catholic Church's Index Librorum Prohibitorum struck terror into the hearts of authors, publishers and booksellers around the world, while arousing ridicule and contempt from many others, especially those in Protestant and non-Christian circles. Biased, inconsistent and frequently absurd in its attempt to ban objectionable texts of every conceivable description - with sometimes fatal consequences - the Index also reflected the deep learning and careful consideration of many hundreds of intellectual contributors over the long span of its storied evolution. This book constitutes the first full study of the Index of Prohibited Books to be published in English. It examines the reasons behind the Church's attempts to censor religious, scientific and artistic works, and considers not only why this most sustained of campaigns failed, but what lessons can be learned for today's debates over freedom of expression and cancel culture.

The twenty-second Munk Debate pits acclaimed journalist, professor, and ordained minister Michael Eric Dyson and New York Times columnist Michelle Goldberg against renowned actor and writer Stephen Fry and University of Toronto professor and author Jordan Peterson to debate the implications of political correctness and freedom of speech. Is political correctness an enemy of free speech, open debate, and the free exchange of ideas? Or, by confronting head-on the dominant power relationships and social norms that exclude marginalized groups are we creating a more equitable and just society? For some the argument is clear. Political correctness is stifling the free and open debate that fuels our democracy. It is also needlessly dividing one group from another and promoting social conflict. Others insist that creating public spaces and norms that give voice to previously marginalized groups broadens the scope of free speech. The drive towards inclusion over exclusion is essential to creating healthy, diverse societies in an era of rapid social change.

Library staff and faculty defend intellectual freedom and describe standing against book challenges. Book bans and challenges frequently make the news, but when the reporting ends, how do we put them in context? The Fight against Book Bans captures the views of dozens of librarians and library science professors regarding the recent flood of book challenges across the United States, gathered in a comprehensive analysis of their impact and significance. It also serves as a guide to responding to challenges. Chapter authors provide first-hand accounts of facing book challenges and describe how they have prepared for challenges, overcome opposition to certain books, and shown the value of specific library materials. Library science faculty with a range of specialties provide relevant background information to bolster these on-the-ground views. Together, the chapters both articulate the importance of intellectual freedom and demonstrate how to convey that significance to others in the community with passion and wisdom. This volume provides a timely and thorough overview of the complex issues surrounding the ongoing spate of book challenges faced by public and school libraries. Reinforces the significance of intellectual freedom to public and school libraries Describes how different librarians have responded to challenges and explained the importance of intellectual freedom to their communities Acts as a step-by-step guide to responding to challenges

"If anything is more corrupting than power, it is power exercised in secret. Angus Mackenzie's magnificently researched, lucidly written study of the CIA's outrageous threats to freedom in America over the years is a summons to vigilance to protect our democratic institutions."--Daniel Schorr

"The late Angus Mackenzie has left an appropriate legacy in Secrets: The CIA's War at Home, a fitting capstone to his long career of exposing government secrecy and manipulation of public information. Secrets is a detailed, fascinating and chilling account of the agency's program of disinformation and concealment of public information against its own citizens."--Ben H. Bagdikian, author of "The Media Monopoly

"Scrupulously reported, fleshed out with a fascinating cast of characters, skillfully illuminating a subject the news media seldom looked into and never got straight, Angus Mackenzie's last and best work richly deserves a posthumous Pulitzer--for nonfiction, history, or both."--Jon Swan, former senior editor, "Columbia Journalism Review

"This courageous, uncompromising book belongs on the bookshelf of every serious student of journalism and the First Amendment."--Tom Goldstein, Dean, Graduate School of Journalism, Columbia University