A gripping history of China's deteriorating relationship with Hong Kong, and its implications for the rest of the world. For the 150 years that Hong Kong was a British colony, people, money and technology flowed freely, while Hong Kong residents enjoyed freedoms that simply did not exist in mainland China. When the territory was handed over to China in 1997, the Communist Party promised that Hong Kong would remain highly autonomous for fifty years. Now, at the halfway mark, it is clear that China has not kept its word. Universal suffrage and free elections have not been instituted and activists have been jailed en masse following the decree of a sweeping national security law by Beijing. As China continues to expand its global influence, Hong Kong serves as a chilling preview of how dissenters could be treated in regions that fall under the emerging superpower's control. A Hong Kong resident from 1992 to 2021, Mark L. Clifford has witnessed this transformation first-hand and has unrivalled access to the full range of the city's society, from student protestors to billionaire businessmen and senior government officials. A powerful and dramatic mix of history and on-the-ground reporting, Today Hong Kong, Tomorrow the World is the definitive account of one of the most important geopolitical standoffs of our time.

James Joyce and Censorship is the first book to tell the fascinating story of the trials of Ulysses. Based on extensive archival research, it is also the first study of the trials to analyze their influence on the reception and composition of Ulysses in the context of Joyce's lifelong struggle with the censors, to evaluate their significance as an important turning point in the history of censorship, and to emphasize their relevance to contemporary debates regarding freedom of literary expression.

This book analyzes the discourses and deliberations in the discussion forums of three of the most visited Islamic websites. In doing so, it explores the potential impact of the Islamic public sphere, and the re-configuration of the 'virtual umma' (Islamic community) online, on the creation of multiple identities and resistances, which manifest themselves through various Islamic sites, producing varying degrees of consensus, divergence, and negotiation in multiple contexts and across different discourses. The book also investigates the extent to which these Islamic websites have provided a venue for Muslims to freely engage in vibrant deliberations and constructive discussions among themselves, as well as with 'Others', i.e., non-Muslims, about various political, economic, religious and social issues.

At long last, here is the definitive practical guide to sexuality materials in libraries and an annotated bibliography of nearly 600 recommended books for school and public libraries. Cornog and Perper, the preeminent experts on sexuality materials for libraries, provide guidelines for materials selection, reference, processing, access, programming, and dealing with problems of vandalism and censorship. The bibliography, organized into 5 topics and 48 subtopics, annotates a collection of recommended books and nonprint materials on sexuality information for children and adults, most published since 1985. Recommended works represent a wide variety of views, including Christian and conservative. Part I offers detailed guidance for selecting and processing sexuality materials, including vertical files, audiovisuals, and periodicals, and for doing reference on sexuality topics; lists a full range of topics and viewpoints that libraries should collect; addresses a variety of processing and access issues such as cataloging, programming, and vandalism; discusses how to deal with censorship issues relating to sexuality materials in the library; and reviews the history of libraries and sexuality materials. Part II, the annotated bibliography, is organized into 5 broad topics-sexuality and behavior, homosexuality and gender issues, life cycle issues, sex and society, and sexual problems-which are then divided into 48 subtopics. Each title is compared and contrasted with similar titles. Titles for young people include grade level appropriateness. Specialized acquisition sources are also listed for each of the 48 subtopics. Cornog and Perper point out that the key to selection of materials is balance and representativeness of a wide range of viewpoints. They have gone to great lengths to provide a wide variety of materials and viewpoints and to seek out interesting and valuable materials from large and small publishers and organizations. This is the definitive guide on sexuality information for public and school libraries.

Although speech in America may be more free and robust than anywhere else on earth, censorship has maintained its grip on American society and has even increased in recent years. Not only is censorship occurring in many different areas of speech, but it is also being advocated by new groups of sponsors. In recent years, liberals have taken as active a role in censorship as have conservatives. Of all the struggles waged in the 1960s, perhaps the one thought victorious was that against censorship. Yet, as adults, the generation of the 1960s is pushing a campaign of censorship more widespread than the one it faced as youth.

In "An American Paradox," Patrick Garry examines the changing nature of censorship and the social impulses that produce it. His beautifully written book is a thought-provoking one about our national psyche and the cultural wars that are generating restrictions on speech in the arts, music, television, and even in the universities. Garry describes fundamental contradictions and paradoxes in a nation devoted to speech and individual freedoms. With speech so close to the national soul, an understanding of the censorship impulse not only may help to eliminate destructive conflicts over censorship issues but also may contribute to a greater appreciation and knowledge of the complexity of the American social fabric.

Though literature and censorship have been conceived as long-time adversaries, this collection seeks to understand the degree to which they have been dialectical terms, each producing the other, coeval and mutually constitutive. On the one hand, literary censorship has been posited as not only inescapable but definitive, even foundational to speech itself. One the other, especially after the opening of the USSR's spekstrahn, those enormous collections of literature forbidden under the Soviets, the push to redefine censorship expansively has encountered cogent criticism. Scholars describing the centralised control of East German print publication, for example, have wanted to insist on the difference of pre-publication state censorship from more mundane forms of speech regulation in democracies. Work on South African apartheid censorship and book banning in colonial countries also demonstrates censorship's formative role in the institutional structures of literature beyond the metropole. Censorship and the Limits of the Literary examines these and other developments across twelve countries, from the Enlightenment to the present day, offering case studies from the French revolution to Internet China. Is literature ever without censorship? Does censorship need the literary? In a globalizing era for culture, does censorship represent the final, failed version of national control?

Traditionally, our society has broadly agreed that the "good university" should teach the intellectual skills students need to become citizens who are intelligently critical of their own beliefs and of the narratives presented politicians, society, the media, and, indeed, universities themselves. The freedom to debate is essential to the development of critical thought, but on university campuses today free speech is increasingly restricted for fear of causing "offense." In this daring and intrepid book, which was originally withdrawn from publication by another publisher but is now proudly presented by Academica Press, the famous intelligence researcher James R. Flynn presents the underlying factors that have circumscribed the range of ideas now tolerated in our institutions of learning. Flynn studiously examines how universities effectively censor teaching, how social and political activism effectively censors its opponents, and how academics censor themselves and each other. A Book Too Risky To Publish concludes that few universities are now living up to their original mission to promote free inquiry and unfettered critical thought. In an age marred by fake news and ever increasing social and political polarization, this book makes an impassioned argument for a return to critical thought in our institutions of higher education.

The Tudor and Stuart eras have been described as England's golden age, in large part because of the flowering of its literary and dramatic culture. Ironically, repressive government controls over freedom of expression existed side-by-side with some of the greatest literary accomplishments of the age, and many of the same issues we wrestle with today were being hotly debated in Renaissance England. This reference book provides a means for students and scholars to combine the highly popular topics of censorship and Renaissance studies. The 92 entries in this book highlight the major issues which could provoke the wrath of the censor, the ways in which works were modified in response to censorship, and the fate of the authors who roused the censor's ire. Entries are arranged alphabetically by title of the censored work. Each provides basic factual information, including the name of the author, the publication date, the date of censorship, the type of work, and the offending issue; a discussion of the work's historical context; a synopsis of the contents; an examination of how the work was censored; and a brief bibliography. Although there is a wealth of information on censorship in the twentieth century, this is one of the few reference books to address censorship during the Renaissance.

Sponsored by the Communication, Information Technologies, and Media Sociology section of the American Sociological Association (CITAMS), this book explores the complex construction of democratic public dialogue in developing countries. Case studies examine national environments defined not only by state censorship and commercial pressure, but also language differences, international influence, social divisions, and distinct value systems. With fresh portraits of new and traditional media throughout Africa, Latin America and Asia, authors delve into the essential role of the media in developing countries. Case studies illuminate the relationship between the State and the media in Russia, as well as the challenges faced by journalists working in Kurdistan. Further cases reveal bureaucratic censorship of books in Brazil, regulatory dilemmas in Australia, state policies in post-colonial Malawi, and the potential of oral culture for the strengthening of democratic conversation. Media, Development and Democracy brings the liberal democratic media model into new terrains where some of its core assumptions do not hold. In doing so, the authors' collective voices illuminate pressing issues facing our current global dialogue and our liberal and democratic expectations concerning communications and the media. This essential volume works as a magnifying glass for our current times, forcing us to question what kind of media we want today

Censored Art Today is an accessible, informed analysis of the debates raging around censorship of art and so-called 'cancel culture', focusing on who the censors are and why they are clamping down on forms of artistic expression worldwide. Art censorship is a centuries-old issue which appears to be on the rise in the 21st century - why is this the case? Gareth Harris expertly analyses the different contexts in which artists, museums and curators face restrictions today, investigating political censorship in China, Cuba and the Middle East; the suppression of LGBTQ+ artists in 'illiberal democracies'; the algorithms policing art online; Western museums and 'cancel culture'; and the narratives around 'problematic' monuments. His fascinating study, which draws on extensive research and interviews, reveals why censorship has become the hottest of topics, impacting substantially on artists.

Was Salman Rushdie right to have written The Satanic Verses ? Were the protestors right to have done so? What about the Danish cartoons? This book examines the moral questions raised by cultural controversies, and how intercultural dialogue might be generated within multicultural societies.

This innovative book comprises nine essays from leading scholars which investigate the relationship between fiction, censorship and the legal construction of obscenity in Britain between 1850 and the present day. Each of the chapters focuses on a distinct historical period and each has something new to say about the literary works it spotlights. Overall, the volume fundamentally refreshes our understanding of the way texts had to negotiate the moral and legal minefields of public reception. The book is original in the historical period it covers, starting in 1850 and bringing debates about fiction, obscenity and censorship up to the present day. The history that is uncovered reveals the different ways in which censorship functioned and continues to function, with considerations of Statutory definitions of Obscenity alongside the activities of non-government organisations such as the anti-vice societies, circulating libraries, publishers, printers and commentators. The essays in this book argue that the vigour with which novels were hunted down by the prowling prudes of the book's title encouraged some writers to explore sexual, excremental and moral obscenities with even more determination. Bringing such debates up to date, the book considers the ongoing impact of censorship on fiction and the current state of critical thinking about the status and freedom of literature. Given contemporary debates about the limits on freedom of speech in liberal, secular societies, the interrogation of these questions is both timely and necessary.

During the period 1900-1940 novels and poems in the UK and US were subject to strict forms of censorship and control because of their representation of sex and sexuality. At the same time, however, writers were more interested than ever before in writing about sex and excrement, incorporating obscene slang words into literary texts, and exploring previously uncharted elements of the modern psyche. This book explores the far-reaching literary, legal and philosophical consequences of this historical conflict between law and literature. Alongside the famous prosecutions of D. H. Lawrence's The Rainbow and James Joyce's Ulysses huge numbers of novels and poems were altered by publishers and printers because of concerns about prosecution. Far from curtailing the writing of obscenity, however, censorship seemed to stimulate writers to explore it further. During the period covered by this book novels and poems became more experimentally obscene, and writers were intensely interested in discussing the author's rights to free speech, the nature of obscenity and the proper parameters of literature. Literature, seen as a dangerous form of corruption by some, was identified with sexual liberation by others. While legislators tried to protect UK and US borders from obscene literature, modernist publishers and writers gravitated abroad, a development that prompted writers to defend the international rights of banned authors and books. While the period 1900-1940 was one of the most heavily policed in the history of literature, it was also the time when the parameters of literature opened up and writers seriously questioned the rights of nation states to control the production and dissemination of literature.

In this edited collection, contributors analyze how the media is navigating Africa's most populous nation, Nigeria, and its mediated democracy. Despite its constitutional role, recognizable as the fourth estate of the realm, the Nigerian media has a history of confronting daunting challenges headlong. This book captures an array of the challenges faced, from British colonialism and military rule to democratic dispensation. Ordinarily, democracy is purposefully streamlined to elevate freedom of expression to an inalienable right and a necessary corollary of democracy. Yet, media freedom in Nigeria has been tortuous and nebulous, and there is a paradoxical difference in how the state relies on the media for partnership while also obstructing accountable journalism that would hold the state and the media itself accountable. The editors provide a poignant outlook of the onerous interactions and dialectics of media and democracy, and the cascading state power. Contributors argue for open democratic deliberations, civic space, and freedom of the press, all rooted in public good. Scholars of journalism, political communication, media studies, and African studies will find this book of particular interest.

*Winner of the European Award for Investigative And Judicial Journalism 2021* *Winner of the Premio Alessandro Leogrande Award for Investigative Journalism 2022* 'I want to live in a society where secret power is accountable to the law and to public opinion for its atrocities, where it is the war criminals who go to jail, not those who have the conscience and courage to expose them.' It is 2008, and Stefania Maurizi, an investigative journalist with a growing interest in cryptography, starts looking into the little-known organisation WikiLeaks. Through hushed meetings, encrypted files and explosive documents, what she discovers sets her on a life-long journey that takes her deep into the realm of secret power. Working closely with WikiLeaks' founder Julian Assange and his organisation for her newspaper, Maurizi has spent over a decade investigating state criminality protected by thick layers of secrecy, while also embarking on a solitary trench warfare to unearth the facts underpinning the cruel persecution of Assange and WikiLeaks. With complex and disturbing insights, Maurizi's tireless journalism exposes atrocities, the shameful treatment of Chelsea Manning and Edward Snowden, on up to the present persecution of WikiLeaks: a terrifying web of impunity and cover-ups. At the heart of the book is the brutality of secret power and the unbearable price paid by Julian Assange, WikiLeaks and truthtellers.

Compiled as a tool for re-educating the population of the three western zones of Occupation, this catalog lists 395 features, feature-length documentaries, and short films that were forbidden for public exhibition. The Zonal Film Archives originally held some 3200 feature titles and 2500 short titles. After viewing, those found to be harmless were returned to their owners, leaving the forbidden films documented in this catalog.

Each film entry gives credits (year, production, director, cast) together with an evaluation of the content. The films are listed in two sections: first, feature/feature-length documentaries and, second, shorts. They are further subdivided according to character and purpose (anti-American propaganda, or Nazi architectural propaganda, for example). There is a complete index of film titles and a list of all films produced in Germany between 1933 and 1945 by the Propaganda Ministry. An extensive introduction by noted historian K. R. M. Short places the work and a selection of related documents in full historical perspective. This catalog is a pivotal document for understanding the policies used to reconstruct and re-educate Germany between 1945 and 1951. As such it is invaluable to historians of Nazi and post-war Germany.

This study traces the way in which the librarian as the guardian of the freedom to read came to replace the librarian as moral censor. This shift in ideology is traced against a backdrop of major social and literary changes. Within this context, censorship is treated as part of a broader professional ideology of book selection. Geller treats that ideology in terms of three constant dilemmas of choice: populism vs. elitism, neutrality vs. advocacy, and freedom vs. censorship. By exploring the ways in which librarians as public servants have defined their selection policies in terms of the public interest, she sheds new light on the complex historical background and shifting social values that underlie contemporary policy alternatives.

Traditionally, the university or college is thought to be the ultimate location for the discovery and sharing of knowledge. After all, on these campuses are some of the great minds across all fields, as well as students who are not only eager to learn, but who often contribute to our shared wisdom. For those ideals to be achieved, however, ideas require access to some kind of virtual marketplace from which people can sample and consider them, discuss and debate them. Restricting the expression of those ideas for whatever reason is the enemy of not only this process, but also of knowledge discovery. Speech freedom on our college and university campuses, like everywhere else, is fragile. There are those who wish to suppress it, more often than not when the words express ideas, opinions, and even facts that conflict with their beliefs. Why does an effort so completely at odds with the foundational values of this country happen? This topic explored in Speech Freedom on Campus: Past, Present and Future is multi-layered, and its analysis is best accomplished through multiple perspectives. Joseph Russomanno's edited collection does precisely that, utilizing 10 different scholars to examine various aspects and issues related to speech freedom on campus.

What goes into the ideological sustenance of an illiberal capitalist democracy? While much of the critical discussion of the media in authoritarian contexts focus on state power, the emphasis on strong states tend to perpetuate misnomers about the media as mere tools of the state and sustain myths about their absolute power. Turning to the lived everyday of media producers in Singapore, I pose a series of questions that explore what it takes to perpetuate authoritarian resilience in the mass media. How, in what terms and through what means, does a politically stable illiberal Asian state like Singapore formulate its dominant imaginary of social order? What are the television production practices that perform and instantiate the social imaginary, and who are the audiences that are conjured and performed in the process? What are the roles played by imagined audiences in sustaining authoritarian resilience in the media? If, as I will argue in the book, audiences function as the central problematic that engenders anxieties and self-policing amongst producers, can the audience become a surrogate for the authoritarian state?

In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.

Examining the various boundaries of American artistic tolerance, chapters address the societal and legal responses to rock and rap music. Artistic expression has historically clashed with mainstream views, resulting in apprehension acted upon internally and externally, especially when expression is aimed toward children or young adults. This work studies the mass media content and programming in network television, "Rolling Stone" magazine, and the "New York Times" reviews and spot news concerning rock and rap music. The National Endowment for the Arts, the FCC, and the music industry's internal responses to parents and adults are discussed as well. Inhibitions and censoring, it is argued, stem from adult concerns for a healthy functioning society and from anxiety about the impact of sexual explicitness and uncontrolled behavioral expression on adolescents. This work attempts to explain why societal intolerance has a pattern of limiting the lyrics and sounds of rock and rap music.

Uniquely combining both societal and legal viewpoints on censorship of America's popular music culture, these essays address issues of concern to various scholars including those studying mass media, censorship, and American popular culture. Legal appendices are included as useful references, such as the National Endowments for the Arts Obscenity and Rejections Sections.

Although nudity is something that everyone has experience with, public nudity is still largely considered taboo. Public Nudity and the Rhetoric of the Body examines instances of public nudity where sexuality is at the forefront of public body display. It presents a range of case studies: the legal aspects of sexualized public nudity as it relates to communication theory and the First Amendment; the controversies surrounding the work of photographer Jock Sturges; the public performance art of Milo Moire; the topless protests of FEMEN; the social media activism of Aliaa Magda Elmahdy; the ritualized flashing during Mardi Gras in New Orleans; and the sexual displays of Folsom Street Fair, the largest leather pride festival. Taken together, these cases teach much about identity, self-determination, and sexuality, and illustrate the complicated rhetorical nature of the human body in the public sphere.

Revelations published by the whistleblower platform WikiLeaks, including the releases of U.S. diplomatic cables in what became referred to as 'Cablegate', put WikiLeaks into the international spotlight and sparked intense about the role and impact of leaks in a digital era. Beyond WikiLeaks opens a space to reflect on the broader implications across political and media fields, and on the transformations that result from new forms of leak journalism and transparency activism. A select group of renowned scholars, international experts, and WikiLeaks 'insiders' discuss the consequences of the WikiLeaks saga for traditional media, international journalism, freedom of expression, policymaking, civil society, social change, and international politics. From short insider reports to elaborate and theoretically informed academic texts, the different chapters provide critical assessments of the current historical juncture of our mediatized society and offer outlooks of the future. Authors include, amongst others, Harvard University's Yochai Benkler, Graham Murdoch of Loughborough University, net activism scholar, Gabriella Coleman, the Director for International Freedom of Expression at the Electronic Frontier Foundation, Jillian York, and Guardian editor, Chris Elliott. The book also includes a conversation between philosopher, Slavoj Zizek, and WikiLeaks founder, Julian Assange, and its prologue is written by Birgitta Jonsdottir, Icelandic MP and editor of the WikiLeaks video, Collateral Murder.

In Media and Law: Between Free Speech and Censorship, Mathieu Deflem and Derek M.D Silva have gathered an interdisciplinary team of leading experts to make a valuable contribution to the existing literature. This volume explores free speech and the control thereof from both a political as well as cultural lens. These topics have once again moved center stage in scholarly as well as popular discussions on what must, should, and should not be said in the public sphere of ideas, opinions, and tastes. In a world of alternative facts, fake news, gender politics, company self-censorship, edited art, hate speech, and career-ending tweets, the chapters in this volume make a timely contribution.