Welcome to Loot.co.za!
Sign in / Register |Wishlists & Gift Vouchers |Help | Advanced search
|
Your cart is empty |
|||
Books > Social sciences > Sociology, social studies > Social issues > Ethical issues & debates > Censorship
During the period of decolonisation in Africa, the CIA covertly subsidised a number of African authors, editors and publishers as part of its anti-communist propaganda strategy. Managed by two front organisations, the Congress of Cultural Freedom and the Farfield Foundation, its Africa programme stretched across the continent. This Element unravels the hidden networks and associations underpinning African literary publishing in the 1960s; it evaluates the success of the CIA in secretly infiltrating and influencing African literary magazines and publishing firms, and examines the extent to which new circuits of cultural and literary power emerged. Based on new archival evidence relating to the Transcription Centre, The Classic and The New African, it includes case studies of Wole Soyinka, Nat Nakasa and Bessie Head, which assess how the authors' careers were affected by these transnational networks and also reveal how they challenged, subverted, and resisted external influence and control.
This is the second volume of Melvin Lasky's The Language of Journalism, praised as a "brilliant" and "original" study in communications and contemporary language, and as "a joy to read." It broke ground in focusing on the comparative styles and prejudices of mainstream American and British newspapers, and in its trenchant analysis of their systematic debasement in the face of obligatory platitudes and compulsory euphemisms. Lasky's subtle and richly detailed text documents the possibly terminal crisis affecting honest, thoughtful, and independent journalism in the Western world. It extends the research in his first volume, and deepens the interpretation. It also adds the personal touch of both wit and anecdote expressed by an experienced international journalist and historian. The central chapters on the "F-word" carry the public emergence of the infamous "expletive deleted" beyond the conventional lexicographer's approach. Lasky's pages on the use of formerly forbidden language is a triumph of sinuous semantics. Here, in incisive analysis, is the tortuous struggle of a once Puritanized literary culture writhing to break free of censorship and self-censorship. Lasky critically evaluates the historic effort of the avant-garde of "dirty realism" to find a path towards what he calls "a usable profanity." In the meantime, newspaper style books become comic texts, as asterisks take over from square brackets and millions of readers purse their lips and indulge in "participatory obscenity." In dealing fully with the phenomenon of profanity, the new book adds another dimension to Lasky's thesis on mass culture's trivialization of real social and political phenomena. It underscores as well oursociety's embrace of banality, in standardizing politically correct jargon, slang, patois, pidgin, and various other "grunts and growls." The reader of the first volume will find here a wholly new range of references to illuminate the detail of what our newspapers have been publishing, and how the alert and sophisticated reader can make sense of the realities they purport to represent.
The invention of printing - a key moment in the history of censorship - gave new impetus to the holders of intellectual and political power in their struggle to influence and control human thought. Conversely, the invention of cyberspace may herald the end of censorship. Yet new ways of restricting access to ideas and information continually evolve. This work presents a comprehensive view of censorship, from Ancient Egypt to those modern societies which have claimed to have abolished the practice. For each country in the world, the history of censorship is described and placed in context, and the media censored are examined: art cyberspace; literature; music; the press; popular culture; radio; television and the theatre; and the censorship of language. Also included are the surveys of major controversies and chronicles of resistance.
Popular conceptions of Catholic censorship, symbolized above all by the Index of Forbidden Books, figure prominently in secular definitions of freedom. To be intellectually free is to enjoy access to knowledge unimpeded by any religious authority. But how would the history of freedom change if these conceptions were false? In this panoramic study of Catholic book culture in Germany from 1770-1914, Jeffrey T. Zalar exposes the myth of faith-based intellectual repression. Catholic readers disobeyed the book rules of their church in a vast apostasy that raised personal desire and conscience over communal responsibility and doctrine. This disobedience sparked a dramatic contest between lay readers and their priests over proper book behavior that played out in homes, schools, libraries, parish meeting halls, even church confessionals. The clergy lost this contest in a fundamental reordering of cultural power that helped usher in contemporary Catholicism.
The aim of this book is to a launch a polemic for the freedom of the press against all of the attempts to police, defile and sanitise journalism today. Once the media reported the news. Now it makes it. The phone-hacking scandal and the Leveson Inquiry into the "culture, practice and ethics" of the media has put the UK press under scrutiny and on trial as never before. There Is No Such Thing as a Free Press questions many of today's distorted but widely-held views of the media, and turns the assumptions underlying the current discussion on their head. The problem is not that the UK press has too much freedom to run wild, but too little liberty. The trouble is not that the UK press is too far out-of-control, but that it is far too conformist. The danger is not that press freedom is too open to abuse, but that the British media is not nearly open enough. Mick Hume draws on the lessons of history and cross-examines the evidence from the Leveson Inquiry to take on the army of conformists and regulators who would further tame press freedom.
Rampant abuse, hate speech, censorship, bias, and disinformation - our Internet has problems. It is governed by technology companies - search engines, social media platforms, and infrastructure providers - whose hidden rules influence what we are allowed to see and say. In Lawless, Nicolas P. Suzor presents gripping examples of exactly how tech companies govern our digital environment and how they bend to pressure from governments and other powerful actors to censor and control the flow of information online. We are at a constitutional moment - an opportunity to rethink the basic rules of how the Internet is governed. Suzor offers a vision of a vibrant, diverse, and flourishing internet that can protect our fundamental rights from the lawless rule of tech. The culmination of more than ten years of original research, this groundbreaking work should be read by anyone who cares about the internet and the future of our shared social spaces.
This book presents two systems of censorship and literary promotion, revealing how literature can be molded to support authoritarian regimes. The issue is complex in that at a descriptive level the strategies and methods new states use to control communication through the written word can be judged by how and when formal decrees were issued, and how publishing media, whether in the form of publishing companies or at the individual level, engaged with political overseers. But equally, literature was a means of resistance against an authoritarian regime, not only for writers but for readers as well. From the point of view of historical memory and intellectual history, stories of people without history and the production of their texts through the literary underground can be constructed from subsequent testimony: from books sold in secret, to the writings of women in jail, to books that were written but never published or distributed in any way, and to myriad compelling circumstances resulting from living under fascist authority. A parallel study on two fascist movements provides a unique viewpoint at literary, social and political levels. Comparative analysis of literary censorship/literary reward allows an understanding of the balance between dictatorship, official policy, and what literary acts were deemed acceptable. The regime need to control its population is revealed in the ways that a particular type of literature was encouraged; in the engagement of propoganda promotion; and in the setting up of institutions to gain international acceptance of the regime. The work is an important contribution to the history of twentieth-century authoritarianism and the development fascist ideas.
Kobus van Rooyen was the Chairman of the Publications Appeal Board from 1980-90. Under his leadership phenomenal steps were taken towards freeing South Africa from the clutches of apartheid censorship of books, films and public entertainment.Earlier banned books such as "Magersfontein o Magersfontein " (Leroux), "Looking on Darkness" (Andre Brink), "Lady Chatterley s Lover" (DH Lawrence), "Portnoy s Complaint" (Roth) were all unbanned. The absolutist approach of cutting films to pieces was replaced by age-restricted films where adults were trusted to see the original product therefore, films such as "A Clockwork Orange" and "Jesus Christ Superstar" were passed. The book also addresses why "The Last Temptation of Christ" did not pass in 1989 and was indeed permitted to be broadcast in 2008 both under his chairmanship - and what ultimately happened to Salman Rushdie s "Satanic Verses."Ultimately the paradigm was shifted completely in films and publications regulation in the eighties: from no to yes, from distrust to trust, from fundamentalism to realism, from despotism to democracy. This book is autobiographical, sketching the delights of freedom of expression in the 1980s in an informal and often humoristic style; of course, also with the pains which it brought to the personal life of the author, when he and his family personally suffered at the hand of rightwing elements for the passing of the Attenborough film, "Cry Freedom.""
Two defense experts explore the collision of war, politics, and social media, where the most important battles are now only a click away. Through the weaponization of social media, the internet is changing war and politics, just as war and politics are changing the internet. Terrorists livestream their attacks, "Twitter wars" produce real-world casualties, and viral misinformation alters not just the result of battles, but the very fate of nations. The result is that war, tech, and politics have blurred into a new kind of battlespace that plays out on our smartphones. P. W. Singer and Emerson Brooking tackle the mind-bending questions that arise when war goes online and the online world goes to war. They explore how ISIS copies the Instagram tactics of Taylor Swift, a former World of Warcraft addict foils war crimes thousands of miles away, internet trolls shape elections, and China uses a smartphone app to police the thoughts of 1.4 billion citizens. What can be kept secret in a world of networks? Does social media expose the truth or bury it? And what role do ordinary people now play in international conflicts? Delving into the web's darkest corners, we meet the unexpected warriors of social media, such as the rapper turned jihadist PR czar and the Russian hipsters who wage unceasing infowars against the West. Finally, looking to the crucial years ahead, LikeWar outlines a radical new paradigm for understanding and defending against the unprecedented threats of our networked world.
Immerse yourself in the stories behind the most shocking and infamous books ever published! Censorship of one form or another has existed almost as long as the written word, while definitions of what is deemed "acceptable" in published works have shifted over the centuries, and from culture to culture. Banned Books explores why some of the world's most important literary classics and seminal non-fiction titles were once deemed too controversial for the public to read - whether for challenging racial or sexual norms, satirizing public figures, or simply being deemed unfit for young readers. From the banning of All Quiet on the Western Front and the repeated suppression of On the Origin of the Species, to the uproar provoked by Lady Chatterley's Lover, entries offer a fascinating chronological account of censorship and the astonishing role that some banned books have played in changing history. Packed with eye-opening insights into the history of the written word and the political and social climate during the period of suppression or censorship, this is a must-read for anyone interested in literature; creative writing; politics; history or law. Delve into this compelling collection of the world's most controversial books to discover: - Covers a broad range of genres and subject areas in fiction and non-fiction, ranging from Alice's Adventures in Wonderland to Spycatcher - Offers informative insights into society, politics, law, and religious belief, in different countries around the world - Features images of first editions and specially commissioned illustrations of the books' authors - Includes extracts from the banned books along with key quotations about them - Completely global in scope A must-have volume for avid readers and literary scholars alike, alongside those with an interest in the law, politics and censorship, Banned Books profiles a selection of the most infamous, intriguing and controversial books ever written, whilst offering a unique perspective on the history of the written world - with insights into the often surprising reasons books have been banned throughout history and across the world. Whether as a gift or self-purchase, this brilliant book is a must-have addition to the library of curious thinkers, borrowers and lifelong learners. If you enjoy Banned Books, then why not try Great Loves - the first title in DK's quirky new hardback series, full of insightful and intriguing topics.
Is transparency bad for science? As leading scientists question the use and abuse of freedom of information, Index looks at the data wars and the limits of scientific debate. Richard Smith calls for open access; veteran whistleblower Peter Wilmshurst questions a culture of silence; Michael Blastland considers our fear of uncertainty; Sam Geall looks at environmental cover-ups in China and Tracey Brown explains why law can be bad for your health. Index on Censorship is an award-winning magazine, devoted to protecting and promoting free expression. International in outlook, outspoken in comment, Index on Censorship reports on free expression violations around the world, publishes banned writing and shines a light on vital free expression issues through original, challenging and intelligent commentary and analysis, publishing some of the world's finest writers. Winner 2008 Amnesty International Consumer Magazine of the Year
Sponsored by the Communication, Information Technologies, and Media Sociology section of the American Sociological Association (CITAMS), this book explores the complex construction of democratic public dialogue in developing countries. Case studies examine national environments defined not only by state censorship and commercial pressure, but also language differences, international influence, social divisions, and distinct value systems. With fresh portraits of new and traditional media throughout Africa, Latin America and Asia, authors delve into the essential role of the media in developing countries. Case studies illuminate the relationship between the State and the media in Russia, as well as the challenges faced by journalists working in Kurdistan. Further cases reveal bureaucratic censorship of books in Brazil, regulatory dilemmas in Australia, state policies in post-colonial Malawi, and the potential of oral culture for the strengthening of democratic conversation. Media, Development and Democracy brings the liberal democratic media model into new terrains where some of its core assumptions do not hold. In doing so, the authors' collective voices illuminate pressing issues facing our current global dialogue and our liberal and democratic expectations concerning communications and the media. This essential volume works as a magnifying glass for our current times, forcing us to question what kind of media we want today
Index on Censorship hits 40 with a special anniversary issue featuring its finest contributors. From celebrated Russian author Mikhail Bulgakov's diary to Chinese activist Chen Wei's online essay, the medium may have changed over four decades, but the message remains the same - as do the methods for silencing writers, whistleblowers, artists and protesters. Index examines the challenges for free speech today, looks back at the watersheds since 1972 and asks leading activists, journalists and writers around the world for their manifestos for a more outspoken world. Index on Censorship is an award-winning magazine, devoted to protecting and promoting free expression. International in outlook, outspoken in comment, Index on Censorship reports on free expression violations around the world, publishes banned writing and shines a light on vital free expression issues through original, challenging and intelligent commentary and analysis, publishing some of the world's finest writers. Winner 2008 Amnesty International Consumer Magazine of the Year
Library staff and faculty defend intellectual freedom and describe standing against book challenges. Book bans and challenges frequently make the news, but when the reporting ends, how do we put them in context? The Fight against Book Bans captures the views of dozens of librarians and library science professors regarding the recent flood of book challenges across the United States, gathered in a comprehensive analysis of their impact and significance. It also serves as a guide to responding to challenges. Chapter authors provide first-hand accounts of facing book challenges and describe how they have prepared for challenges, overcome opposition to certain books, and shown the value of specific library materials. Library science faculty with a range of specialties provide relevant background information to bolster these on-the-ground views. Together, the chapters both articulate the importance of intellectual freedom and demonstrate how to convey that significance to others in the community with passion and wisdom. This volume provides a timely and thorough overview of the complex issues surrounding the ongoing spate of book challenges faced by public and school libraries. Reinforces the significance of intellectual freedom to public and school libraries Describes how different librarians have responded to challenges and explained the importance of intellectual freedom to their communities Acts as a step-by-step guide to responding to challenges
In Media and Law: Between Free Speech and Censorship, Mathieu Deflem and Derek M.D Silva have gathered an interdisciplinary team of leading experts to make a valuable contribution to the existing literature. This volume explores free speech and the control thereof from both a political as well as cultural lens. These topics have once again moved center stage in scholarly as well as popular discussions on what must, should, and should not be said in the public sphere of ideas, opinions, and tastes. In a world of alternative facts, fake news, gender politics, company self-censorship, edited art, hate speech, and career-ending tweets, the chapters in this volume make a timely contribution.
Our special report looks at freedoms to study and research around the world, with reports from Turkey, South Africa and China, along with new fiction from Turkmenistan, plus poetry from Angola and the UK.
What goes into the ideological sustenance of an illiberal capitalist democracy? While much of the critical discussion of the media in authoritarian contexts focus on state power, the emphasis on strong states tend to perpetuate misnomers about the media as mere tools of the state and sustain myths about their absolute power. Turning to the lived everyday of media producers in Singapore, I pose a series of questions that explore what it takes to perpetuate authoritarian resilience in the mass media. How, in what terms and through what means, does a politically stable illiberal Asian state like Singapore formulate its dominant imaginary of social order? What are the television production practices that perform and instantiate the social imaginary, and who are the audiences that are conjured and performed in the process? What are the roles played by imagined audiences in sustaining authoritarian resilience in the media? If, as I will argue in the book, audiences function as the central problematic that engenders anxieties and self-policing amongst producers, can the audience become a surrogate for the authoritarian state?
Since 2005, Thailand has been in crisis, with unprecedented political instability and the worst political violence seen in the country in decades. In the aftermath of a military coup in 2006, Thailand s press freedom ranking plunged, while arrests for l se-majest have skyrocketed to levels unknown in the modern world. Truth on Trial in Thailand traces the 110-year trajectory of defamation-based laws in Thailand. The most prominent of these is l se-majest, but defamation aspects also appear in laws on sedition and treason, the press and cinema, anti-communism, contempt of court, insulting of religion, as well as libel. This book makes the case that despite the appearance of growing democratization, authoritarian structures and urges still drive politics in Thailand; the long-term effects of defamation law adjudication has skewed the way that Thai society approaches and perceives "truth." Employing the work of Habermas, Foucault, Agamben, and Schmitt to construct an alternative framework to understand Thai history, Streckfuss contends that Thai history has become "suspended" since 1958, and repeatedly declining to face the truth of history has set the stage for an endless state of crisis. This book will be of interest to students and scholars of South East Asian politics, Asian history, and media and communication. David Streckfuss is an independent scholar who has lived in Thailand for more than 20 years. His work primarily concerns human rights, and political and cultural history.
In this winter issue we look at taboos all over the world from Bangladesh to Britain. Writers include comedians David Baddiell and Shazia Mirza, Alastair Campbell, a new short story by Chilean-American playwright Ariel Dorfman and a special section of cartoons from across the planet.
In Triggered, Donald Trump, Jr. will expose all the tricks that the left uses to smear conservatives and push them out of the public square, from online "shadow banning" to fake accusations of "hate speech." No topic is spared from political correctness. This is the book that the leftist elites don't want you to read! Trump, Jr. will write about the importance of fighting back and standing up for what you believe in. From his childhood summers in Communist Czechoslovakia that began his political thought process, to working on construction sites with his father, to the major achievements of President Trump's administration, Donald Trump, Jr. spares no details and delivers a book that focuses on success and perseverance, and proves offense is the best defense.
Should sport be above politics and human rights? As London gets ready for the Olympics, Index on Censorship visits the ethical pit stops, asks whether sporting tournaments can be good for democracy and considers the appeal of championships to sports mad dictators - from Vladimir Putin to Alexander Lukashenko. With Mihir Bose giving the inside track on sport and ethics, Natalie Haynes Corinna Ferguson on new threats to the right to protest in the UK, Stephen Escritt and Martin Polley on brand control, Arnold van Bruggen and Rob Hornstra on Russia's winter challenge, and Leah Borromeo on what the Olympics mean for locals. Plus award-winning Syrian cartoonist Ali Ferzat, Salil Tripathi on censorship at literary festivals and reports on press freedom from Hungary, Dagestan and Mexico. Index on Censorship is an award-winning magazine, devoted to protecting and promoting free expression. International in outlook, outspoken in comment, Index on Censorship reports on free expression violations around the world, publishes banned writing and shines a light on vital free expression issues through original, challenging and intelligent commentary and analysis, publishing some of the world's finest writers. Winner 2008 Amnesty International Consumer Magazine of the Year
"A liberal society stands on the proposition that we should all
take seriously the idea that we might be wrong. This means we must
place no one, including ourselves, beyond the reach of criticism;
it means that we must allow people to err, even where the error
offends and upsets, as it often will." So writes Jonathan Rauch in
"Kindly Inquisitors, " which has challenged readers for more than
twenty years with its bracing and provocative exploration of the
issues surrounding attempts to limit free speech. In it, Rauch
makes a persuasive argument for the value of "liberal science" and
the idea that conflicting views produce knowledge within
society. |
You may like...
|