James Dalton Trumbo (1905--1976) is widely recognized for his work as a screenwriter, playwright, and author, but he is also remembered as one of the Hollywood Ten who opposed the House Un-American Activities Committee. Refusing to answer questions about his prior involvement with the Communist Party, Trumbo sacrificed a successful career in Hollywood to stand up for his rights and defend political freedom. In Dalton Trumbo, authors Larry Ceplair and Christopher Trumbo present their extensive research on the famed writer, detailing his work, his membership in the Communist Party, his long campaign against censorship during the domestic cold war, his ten-month prison sentence for contempt of Congress, and his thirteen-year struggle to break the blacklist. The blacklist ended for Trumbo in 1960, when he received screen credits for Exodus and Spartacus. Just before his death, he received a long-delayed Academy Award for The Brave One, and in 1993, he was posthumously given an Academy Award for Roman Holiday (1953). This comprehensive biography provides insights into the many notable people with whom Trumbo worked, including Stanley Kubrick, Otto Preminger, and Kirk Douglas, and offers a fascinating look at the life of one of Hollywood's most prominent screenwriters and his battle against persecution.

Canadian news reports are riddled with accounts of Access to Information requests denied and government reports released with large swaths of content redacted. The Unfulfilled Promise of Press Freedom in Canada offers a vast array of viewpoints that critically analyze the application and interpretation of press freedom under the Charter of Rights. This collection, assiduously put together by editors Lisa Taylor and Cara-Marie O'Hagan, showcases the insights of leading authorities in law, journalism, and academia as well as broadcasters and public servants. The contributors explore the ways in which press freedom has been constrained by outside forces, like governmental interference, threats of libel suits, and financial constraints. These intersectional and multifaceted lines of inquiry provide the reader with a 360-degree assessment of press freedom in Canada while discouraging complacency among Canadian citizens. After all, an informed citizenry is a free citizenry.

Though literature and censorship have been conceived as long-time adversaries, this collection seeks to understand the degree to which they have been dialectical terms, each producing the other, coeval and mutually constitutive. On the one hand, literary censorship has been posited as not only inescapable but definitive, even foundational to speech itself. One the other, especially after the opening of the USSR's spekstrahn, those enormous collections of literature forbidden under the Soviets, the push to redefine censorship expansively has encountered cogent criticism. Scholars describing the centralised control of East German print publication, for example, have wanted to insist on the difference of pre-publication state censorship from more mundane forms of speech regulation in democracies. Work on South African apartheid censorship and book banning in colonial countries also demonstrates censorship's formative role in the institutional structures of literature beyond the metropole. Censorship and the Limits of the Literary examines these and other developments across twelve countries, from the Enlightenment to the present day, offering case studies from the French revolution to Internet China. Is literature ever without censorship? Does censorship need the literary? In a globalizing era for culture, does censorship represent the final, failed version of national control?

A revealing and gripping investigation into how social media platforms police what we post online-and the large societal impact of these decisions Most users want their Twitter feed, Facebook page, and YouTube comments to be free of harassment and porn. Whether faced with "fake news" or livestreamed violence, "content moderators"-who censor or promote user-posted content-have never been more important. This is especially true when the tools that social media platforms use to curb trolling, ban hate speech, and censor pornography can also silence the speech you need to hear. In this revealing and nuanced exploration, award-winning sociologist and cultural observer Tarleton Gillespie provides an overview of current social media practices and explains the underlying rationales for how, when, and why these policies are enforced. In doing so, Gillespie highlights that content moderation receives too little public scrutiny even as it is shapes social norms and creates consequences for public discourse, cultural production, and the fabric of society. Based on interviews with content moderators, creators, and consumers, this accessible, timely book is a must-read for anyone who's ever clicked "like" or "retweet."

This is the second volume in a new paperback edition of Steve Nicholson's well-reviewed four-volume analysis of British theatre censorship from 1900-1968, based on previously undocumented material in the Lord Chamberlain's Correspondence Archives in the British Library and the Royal Archives at Windsor. It covers the period from 1933 to 1952, and focuses on theatre censorship during the period before the outbreak of the Second World War, during the war itself, and in the immediate post-war period. The focus is primarily on political and moral censorship. The book documents and analyses the control exercised by the Lord Chamberlain. It also reviews the pressures exerted on him and on the theatre by the government, the monarch, the Church, foreign embassies and by influential public figures and organisations. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface. DOI: https://doi.org/10.47788/SGLU9228

Covering topics ranging from web filters to laws aimed at preventing the flow of information, this book explores freedom-and censorship-of the Internet and considers the advantages and disadvantages of policies at each end of the spectrum. Combining reference entries with perspective essays, this timely book undertakes an impartial exploration of Internet censorship, examining the two sides of the debate in depth. On the one side are those who believe censorship, to a greater or lesser degree, is acceptable; on the other are those who play the critical role of information freedom fighters. In Internet Censorship: A Reference Handbook, experts help readers understand these diverse views on Internet access and content viewing, revealing how both groups do what they do and why. The handbook shares key events associated with the Internet's evolution, starting with its beginnings and culminating in the present. It probes the motivation of newsmakers like Julian Assange, the Anonymous, and WikiLeaks hacker groups, and of risk-takers like Private Bradley Manning. It also looks at ways in which Internet censorship is used as an instrument of governmental control and at the legal and moral grounds cited to defend these policies, addressing, for example, why the governments of China and Iran believe it is their duty to protect citizens by filtering online content believed to be harmful. Introduces key concepts and traces the evolution of Internet censorship from its earliest days Shows how anti-censorship groups-including the American Civil Liberties Union, the OpenNet Initiative, Reporters Without Borders, Anonymous, WikiLeaks, and the Censorware Project-band together to fight for freedom of information Explores the role of American businesses in facilitating Internet censorship abroad Shares opinions on Internet freedom versus Internet censorship from experts in a range of fields, including criminology, political science, philosophy, and psychology Includes an overview of Internet usage and penetration rates by region and an examination of the Freedom on the Net 2012 findings

Immerse yourself in the stories behind the most shocking and infamous books ever published! Censorship of one form or another has existed almost as long as the written word, while definitions of what is deemed "acceptable" in published works have shifted over the centuries, and from culture to culture. Banned Books explores why some of the world's most important literary classics and seminal non-fiction titles were once deemed too controversial for the public to read - whether for challenging racial or sexual norms, satirizing public figures, or simply being deemed unfit for young readers. From the banning of All Quiet on the Western Front and the repeated suppression of On the Origin of the Species, to the uproar provoked by Lady Chatterley's Lover, entries offer a fascinating chronological account of censorship and the astonishing role that some banned books have played in changing history. Packed with eye-opening insights into the history of the written word and the political and social climate during the period of suppression or censorship, this is a must-read for anyone interested in literature; creative writing; politics; history or law. Delve into this compelling collection of the world's most controversial books to discover: - Covers a broad range of genres and subject areas in fiction and non-fiction, ranging from Alice's Adventures in Wonderland to Spycatcher - Offers informative insights into society, politics, law, and religious belief, in different countries around the world - Features images of first editions and specially commissioned illustrations of the books' authors - Includes extracts from the banned books along with key quotations about them - Completely global in scope A must-have volume for avid readers and literary scholars alike, alongside those with an interest in the law, politics and censorship, Banned Books profiles a selection of the most infamous, intriguing and controversial books ever written, whilst offering a unique perspective on the history of the written world - with insights into the often surprising reasons books have been banned throughout history and across the world. Whether as a gift or self-purchase, this brilliant book is a must-have addition to the library of curious thinkers, borrowers and lifelong learners. If you enjoy Banned Books, then why not try Great Loves - the first title in DK's quirky new hardback series, full of insightful and intriguing topics.

Political races in the United States rely heavily on highly paid political consultants. In Building a Business of Politics, Adam Sheingate traces the history of political consultants from its origins in the publicity experts and pollsters of the 1920s and 1930s to the strategists and media specialists of the 1970s who transformed political campaigns into a highly profitable business. Today, consultants command a hefty fee from politicians as they turn campaign cash from special interest groups and wealthy donors into the advertisements, polls, and direct mail solicitations characteristic of modern campaigns. The implications of this system on the state of American democracy are significant: a professional political class stands between the voters and those who claim to represent them. Building a Business of Politics is both a definitive account of the consulting profession and a powerful reinterpretation of how political professionals reshaped American democracy in the modern era.

" Mwakenya: Real or Phantom?," is Jimmy Achira's persecution experience Daniel Arap Moi's Kenya in 1980s. The "Daily Nation" captured best the nebulous phenomenon called "Mwakenya." "

Mwakenya remained a chimera to the Kenyan media. Reporters knew no Mwakenya officials and received no calls, manifestos or press releases from them.

There was no known office location, or telephone or fax numbers. Everything that came to the media house, and appeared as trial evidence, was from the Moi-KANU government.

The seditious documents produced in court were always photo-copies, never originals. It was not only university lecturers, students who were victims of the security dragnet-civil servants and journalists too, were picked up . -"Daily Nation, Sept. 20th 1987.""

In the 1980s, in Moi 's regime, it was anathema to be termed ""Mwakenya"" for that would pronounce arrest, torture and jail. It was one of the saddest chapters in the nation 's history; people talked in hushed voices, looking over their shoulders to see who was listening; when people worried what they were seen reading for it could be seditious .

Jimmy Achira, a journalist who found himself in the "Mwakenya" dragnet, chronicles his experiences in "Mwakenya: Real or Phantom?"

The book is not a history of "Mwakenya" but a personal account of encounter with oppression in Moi 's Kenya. The real story of "Mwakenya" would be told by historians. It is unfortunate that instruments like the Truth, Justice and Reconciliation Commission have yet to unearth the atrocities against Kenyan people; atrocities perpetuated in the name of state security; and law and order.

What others say:

" "It is important that the experiences such as Achira's be told for the sake of history and posterity. The history of those dark days should be taught in schools, alongside tales of heroic struggles such as that of " Mau Mau"

"Many Kenyans who enjoy the fruits of "freedom" under multi-party democracy know little about the suffering many faced and sacrifices made to achieve the current freedom. " - Gershom Otachi Bw'Omanwa

" "The Nyaro era of the 1980s was a time of horror in the history of human rights in Kenya. In early 1986 the crackdown on those Kenyans perceived to have dissenting views about the government had been put in motion. Under the guise of rooting out subversives, particularly referred to as "Mwakenya" (" Muungano wa Wakenya") the police unleashed such a reign of terror that a wide cross-section of people's lives were destroyed. " - Dr Carey Francis Onyango, Lecturer and HUman Rights Activist.

" Political imprisonment was common in the "Nyayo" era in which Moi held Kenya in a vice-like grip. Now, the untold can be told. Stories, as Jimmy Achira's, help us understand those days and the price many Kenyans paid for freedoms enjoyed today. " - Dr Matunda Nyanchama, ICT Professional and Publisher.

About the Author

Achira was born at Bosiango, West Mugirango, Nyamira and went to Bosiango Primary School, Taranganya and Nyansabakwa High Schools. He taught at Mborogo Secondary School before entering journalism.

He has worked for " Target/ Lengo, East African Standard, Nation " and "Kenya Times." Others are "The Weekend Mail" and "The Weekly Revie ." In April 1995, he incorporated " Rural Media Services Limited " under which he published regional rural monthly newspaper, "The Western Monitor." He co-edited, with Tom Amoro, "A Guide to Gusii Politics 1997," published "What Next after 1997 General Elections in Gusii?"Presently, he is media consultant/publisher and working on "The Memoirs of a Veteran Journalist 1979 1999."

In the world of globalized media, provocative images trigger culture wars between traditionalists and cosmopolitans, between censors and defenders of free expression. But are images censored because of what they mean, what they do, or what they might become? And must audiences be protected because of what they understand, what they feel, or what they might imagine? At the intersection of anthropology, media studies, and critical theory, Censorium is a pathbreaking analysis of Indian film censorship. The book encompasses two moments of moral panic: the consolidation of the cinema in the 1910s and 1920s, and the global avalanche of images unleashed by liberalization since the early 1990s. Exploring breaks and continuities in film censorship across colonial and postcolonial moments, William Mazzarella argues that the censors' obsessive focus on the unacceptable content of certain images and the unruly behavior of particular audiences displaces a problem that they constantly confront yet cannot directly acknowledge: the volatile relation between mass affect and collective meaning. Grounded in a close analysis of cinema regulation in the world's largest democracy, Censorium ultimately brings light to the elusive foundations of political and cultural sovereignty in mass-mediated societies.

Sex, Race, and Politics: Free Speech on Campus provides a highly entertaining and academic look at free speech and association issues on the college campus. The presentation of the legal material mixed in with humorous fact patterns makes analysis of the cutting edge campus speech issues enjoyable. Each section includes in-depth discussion questions to encourage a deeper engagement and understanding of the text. Readers will come away with a command of the free speech rights of students and teachers, as well as understanding the meaning and implications of sexual and racial laws as applied in the school setting.

" Keith Fink is a leading authority on harassment laws and free speech issues. He is an active trial lawyer, international speaker, and Professor at UCLA and Southwestern Law School. Professor Fink was a three-time National College Debate Champion while at UCLA. He is the founder of the law firm Fink & Steinberg which has offices in Los Angeles, San Francisco and Macau. His practice focuses on Employment and Business Litigation. He speaks frequently on a variety of legal topics including the law on sexual harassment and is routinely retained to train on sexual harassment and investigate sexual harassment complaints.

Updated with a new Afterword "The revolution will be Twittered!" declared journalist Andrew Sullivan after protests erupted in Iran. But as journalist and social commentator Evgeny Morozov argues in The Net Delusion , the Internet is a tool that both revolutionaries and authoritarian governments can use. For all of the talk in the West about the power of the Internet to democratize societies, regimes in Iran and China are as stable and repressive as ever. Social media sites have been used there to entrench dictators and threaten dissidents, making it harder- not easier- to promote democracy. Marshalling a compelling set of case studies, The Net Delusion shows why the cyber-utopian stance that the Internet is inherently liberating is wrong, and how ambitious and seemingly noble initiatives like the promotion of"Internet freedom" are misguided and, on occasion, harmful.

A lively history of the Watch and Ward Society--New England's notorious literary censor for over eighty years.
"Banned in Boston" is the first-ever history of the Watch and Ward Society--once Boston's unofficial moral guardian. An influential watchdog organization, bankrolled by society's upper crust, it actively suppressed vices like gambling and prostitution, and oversaw the mass censorship of books and plays. A spectacular romp through the Puritan City, here Neil Miller relates the scintillating story of how a powerful band of Brahmin moral crusaders helped make Boston the most straitlaced city in America, forever linked with the infamous catchphrase "banned in Boston."

Having observed that there is no reason whatever for the exemption of Literature, let us now turn to the case of Art. Every picture hung in a gallery, every statue placed on a pedestal, is exposed to the public stare of a mixed company. Why, then, have we no Censorship to protect us from the possibility of encountering works that bring blushes to the cheek of the young person?

Having observed that there is no reason whatever for the exemption of Literature, let us now turn to the case of Art. Every picture hung in a gallery, every statue placed on a pedestal, is exposed to the public stare of a mixed company. Why, then, have we no Censorship to protect us from the possibility of encountering works that bring blushes to the cheek of the young person?

Forbidden Fruit: The Censorship of Literature and Information for Young People was a two day conference held in Southport, UK in June 2008. This collection of papers from the conference will be of interest to teachers, school and public librarians, publishers, and other professionals involved in the provision of literature and information resources for young people, as well as to researchers and students. The proceedings draw together some of the latest research in this area from a number of fields, including librarianship, education, literature, and linguistics. The topics covered include translations and adaptations, pre-censorship by authors, publishers and editors, LGBT (lesbian, gay, bi-sexual and trans) materials, and the views of young people themselves. The papers included in the proceedings deal with a wide range of issues. Research student Lucy Pearson takes a historical perspective, considering the differences in the way in which two titles, Young Mother in the 1960s and Forever in the 1970s, handle the theme of teenage sexuality. John Harer from the United States and Elizabeth Chapman and Caroline Wright from the UK also deal with the controversial issue of teenage sexuality. Both papers are concerned with the censorship of LGBT (lesbian, gay, bi-sexual, and trans) materials for young people, especially referring to issues faced by librarians in dealing with such resources in their respective countries. Another writer to examine the issue from a librarianship perspective is Wendy Stephens, who reports on her action research into students reactions to book banning and censorship in the context of a twelfth-grade English literature research project. Taking one step back fromthe question of access to controversial materials, Cherie Givens reports on her doctoral research examining the often neglected issue of pre-censorship-- that is, restrictions which take place, usually as a result of pressure from editors and publishers, before materials reach the library shelves. Showing a different side of the publishing industry, Christopher Gruppetta writes from the perspective of a publisher keen to promote young adult fiction in Malta. His article demonstrates the huge strides which can take place in a relatively short period of time, even in a religiously conservative country. Talks by young adult authors were also included in the conference programme. Ioanna Kaliakatsou considers how self-censorship is exercised by authors and how attitudes have changed since the early twentieth century. Yet another point at which works might be censored is when they are translated or adapted. Evangelia Moula focuses on censorship in adaptations of classic Greek tragedies, while Helen T. Frank examines Australian childrens fiction translated into French to highlight the process of purification or sanitization that can occur during translations.