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Miracles and Sacrilege - Robert Rossellini, the Church, and Film Censorship in Hollywood (Paperback)
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Miracles and Sacrilege - Robert Rossellini, the Church, and Film Censorship in Hollywood (Paperback)
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Miracles and Sacrilege is the story of the epochal conflict between
censorship and freedom in film, recounted through an in-depth
analysis of the U.S. Supreme Court's decision striking down a
government ban on Roberto Rossellini's film The Miracle (1950). In
this extraordinary case, the Court ultimately chose to abandon its
own longstanding determination that film comprised a mere
'business' unworthy of free-speech rights, declaring for the first
time that the First Amendment barred government from banning any
film as 'sacreligious.' Using legal briefs, affidavits, and other
court records, as well as letters, memoranda, and other archival
materials to elucidate what was at issue in the case, William Bruce
Johnson also analyzes the social, cultural, and religious elements
that form the background of this complex and hard-fought
controversy, focusing particularly on the fundamental role played
by the Catholic Church in the history of film censorship. Tracing
the development of the Church in the United States, Johnson
discusses the reasons it found The Miracle sacrilegious and how it
attained the power to persuade civil authorities to ban it. The
Court's decision was not only a milestone in the law of
church-state relations, but it paved the way for a succession of
later decisions which gradually established a firm legal basis for
freedom of expression in the arts.
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