Licensing, Censorship and Authorship in Early Modern England
examines in detail both how the practice of censorship shaped
writing in the Shakespearean period, and how our sense of that
censorship continues to shape modern understandings of what was
written. Separate chapters trace the development of licensing in
the theatre, and the response of the actors and dramatists to it.
There are detailed examinations of how censorship affects our
reading of four major playwrights: Marlowe, Shakespeare, Jonson and
Middleton, and of how the control of printed books compared with
that of the stage.
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