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Argentine, Mexican, and Guatemalan Photography - Feminist, Queer, and Post-Masculinist Perspectives (Paperback)
Loot Price: R494
Discovery Miles 4 940
You Save: R40
(7%)
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Argentine, Mexican, and Guatemalan Photography - Feminist, Queer, and Post-Masculinist Perspectives (Paperback)
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List price R534
Loot Price R494
Discovery Miles 4 940
You Save R40 (7%)
Expected to ship within 12 - 17 working days
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One of the important cultural responses to political and
sociohistorical events in Latin America is a resurgence of urban
photography, which typically blends high art and social
documentary. But unlike other forms of cultural production in Latin
America, photography has received relatively little sustained
critical analysis. This pioneering book offers one of the first
in-depth investigations of the complex and extensive history of
gendered perspectives in Latin American photography through studies
of works from Argentina, Mexico, and Guatemala. David William
Foster examines the work of photographers ranging from the
internationally acclaimed artists Graciela Iturbide, Pedro Meyer,
and Marcos Lopez to significant photographers whose work is largely
unknown to English-speaking audiences. He grounds his essays in
four interlocking areas of research: the experience of human life
in urban environments, the feminist matrix and gendered cultural
production, Jewish cultural production, and the ideological
principles of cultural works and the connections between the works
and the sociopolitical and historical contexts in which they were
created. Foster reveals how gender-marked photography has
contributed to the discourse surrounding the project of
redemocratization in Argentina and Guatemala, as well as how it has
illuminated human rights abuses in both countries. He also traces
photography's contributions to the evolution away from the
masculinist-dominated post-1910 Revolution ideology in Mexico. This
research convincingly demonstrates that Latin American photography
merits the high level of respect that is routinely accorded to more
canonical forms of cultural production.
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