The Mexican revolution of 1910-1920 gave rise to an artistic
explosion that was felt most profoundly in printmaking. The
left-wing government viewed art as an important vehicle for
education and the promotion of revolutionary values. It established
a program to cover the walls of public buildings with murals and
set up numerous workshops to produce prints for wide distribution.
By the 1930s, Mexico was attracting socially committed artists from
all over the American continent and beyond, ready to do battle for
a new aesthetic as well as a new political order. Diego Rivera, a
key figure in the art of revolution, became one of the most
celebrated artists in the world.
Starting with works by Jose Guadalupe Posada, who was adopted by
the revolutionaries as the archetypal printmaker for the people,
Revolution on Paper features prints by thirty-five artists,
including the "Three Greats" of Mexican art of the period--Rivera,
Jose Clemente Orozco, and David Alfaro Siqueiros. The selection
includes not only single-sheet artists' prints, but also posters
addressing social and political issues, and illustrated books on
many different subjects. Images of the revolutionary hero Emiliano
Zapata, scenes of poverty, hunger, and oppression, and posters
protesting against fascism and the war in Europe contrast with
representations of Mexican history and idealized rural life that
express what was regarded as typically "Mexican." Introductory
essays by Dawn Ades and Alison McClean set Mexican printmaking in
its artistic and political context. Concise biographies of the
artists, a chronology, and a glossary of printmaking terms complete
the book.
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