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Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800

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The Music Room in Early Modern France and Italy - Sound, Space and Object (Hardcover) Loot Price: R2,396
Discovery Miles 23 960
The Music Room in Early Modern France and Italy - Sound, Space and Object (Hardcover): Deborah Howard, Laura Moretti

The Music Room in Early Modern France and Italy - Sound, Space and Object (Hardcover)

Deborah Howard, Laura Moretti

Series: Proceedings of the British Academy, 176

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Loot Price R2,396 Discovery Miles 23 960 | Repayment Terms: R225 pm x 12*

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This interdisciplinary book investigates the use of secular space for music making in Early Modern France and Italy. The fact that many artists of the time also had musical skills underlines the close relationship between music and the visual arts. This era is remarkable for the growing importance of music in domestic life, ranging from elaborate court festivities to family recreation. In parallel with the emergence of the theatre as a separate building type, music-making in elite circles became more specialised through the employment of paid musicians, as opposed to amateur participation by the inhabitants and their guests. Meanwhile, however, music printing and the mass-production of instruments, especially lutes, allowed music-making to diffuse down the social scale.
We see how spaces specifically designed for music began to appear in private dwellings, while existing rooms became adapted for the purpose. At first, the number of rooms specifically identifiable as 'music rooms' was very small, but gradually over the following 150 years, specialised music rooms began to appear in larger residences in both France and Italy. A major theme is the relationship between the size and purpose of the room and the kinds of music performed - depending on the size, portability and loudness of different instruments; the types of music suited to spaces of different dimensions; the role of music in dancing and banqueting; and the positions of players and listeners. Musical instruments were often elaborately decorated to become works of art in their own right.

General

Imprint: Oxford UniversityPress
Country of origin: United Kingdom
Series: Proceedings of the British Academy, 176
Release date: June 2012
First published: September 2012
Editors: Deborah Howard • Laura Moretti
Dimensions: 241 x 165 x 25mm (L x W x T)
Format: Hardcover
Pages: 300
ISBN-13: 978-0-19-726505-5
Categories: Books > Arts & Architecture > Music > General
Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800 > General
Books > Humanities > History > History of specific subjects > Social & cultural history
Books > History > History of specific subjects > Social & cultural history
Books > Music > General
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LSN: 0-19-726505-7
Barcode: 9780197265055

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