" A]n impressive and original work of synthetic scholarship that
one hopes will be emulated by others." Phillip B. Wagoner, Wesleyan
University
" A]n excellent and important work... with] a wonderful
sophistication of method." Padma Kaimal, Colgate University
The patrons and artists of Bijapur, an Islamic kingdom that
flourished in the Deccan region of India in the 16th and 17th
centuries, produced lush paintings and elaborately carved
architecture, evidence of a highly cosmopolitan Indo-Islamic
culture. Bijapur s most celebrated monument, the Ibrahim Rauza tomb
complex, is carved with elegant calligraphy and lotus flowers and
was once dubbed "the Taj Mahal of the South." This stunningly
illustrated study traces the development of Bijapuri art and
courtly identity through detailed examination of selected paintings
and architecture, many of which have never before been published.
They deserve our attention for their aesthetic qualities as well as
for the ways they expand our understanding of the rich synthesis of
cultures and religions in South Asian and Islamic art."
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