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Repainting the Walls of Lunda - Information Colonialism and Angolan Art (Paperback)
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Repainting the Walls of Lunda - Information Colonialism and Angolan Art (Paperback)
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Repainting the Walls of Lunda chronicles the publication and
dissemination of an anthropology book, Paredes Pintadas da Lunda
(Painted Walls of Lunda), which was published in Portuguese in
1953. The book featured illustrations of wall murals and sand
drawings of the Chokwe peoples of northeastern Angola. These
reproductions were adapted in postindependence Angolan nationalist
art and post-civil war contemporary art. As Delinda Collier
recounts, the pictorial narrative foregrounds the complex
relationships between content, distribution, and politicization.
The result is a nuanced look at the practices of art entangled in
political economies as much as in issues of aesthetics. After
historicizing the drastic changes in media for the Chokwe images,
from sand and dwelling to book and from analog to digital, Collier
analyzes the formal and infrastructural logic of the
two-dimensional images in their subsequent formats, from
postindependence canvas paintings to Internet images. Collier does
not view any of these iterations as a negation or obliteration of
the previous one. Instead, she argues that the logic of
reproductive media envelops the past: each mediation adds another
layer of context and content. As Collier sees it, the images'
historicity is embedded within these media layers, which many
Angolan postindependence artists speak of in terms of ghosts or
ancestors when describing their encounter with reproductions of the
Chokwe art. If, as Collier contends, "Africa troubles media," this
book troubles facile theories and romantic constructions of "analog
Africa," boundaries between art and cybernetics, and the firewall
between the colonial and the postcolonial.
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