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Young John McGahern - Becoming a Novelist (Paperback)
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Young John McGahern - Becoming a Novelist (Paperback)
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John McGahern was the most admired Irish novelist of the past fifty
years. His accessible fiction won him a wide readership throughout
Ireland, but the accomplishment of his craft ensured that he also
became known as a writer's writer. He set his novels in places he
knew intimately-Dublin, London, and the West of Ireland, where he
grew up-and became known for the intimacy and honesty of his
mapping of home truths of Irish life. His first novel, The
Barracks, was widely hailed as a classic on publication in 1963,
and his later work, including Amongst Women and That They May Face
the Rising Sun, and, indeed, Memoir, is built on the stylistic
foundation of that novel. The first ten years of McGahern's career
were the crucial, for it was during this time that he became an
artist. This book explores a young man's discovery of literature.
McGahern's youthful realization that books provide both intense
pleasure and a spiritual lifeline towards a unique kind of
knowledge matured in his twenties. Struggling to overcome
desolating experiences in childhood, and abandoning conventional
beliefs, he found his anchor in European literary classics. His
discovery of how a powerful individual personality could be
embedded in novels and stories inspired him. He became an
impassioned reader of Proust, Tolstoy, and Flaubert as well as a
select few local writers, the poet Patrick Kavanagh and the
novelist Michael McLaverty, whose work more closely mirrored his
own experience and aspirations. Denis Sampson recreates McGahern's
personal and cultural circumstances in Dublin and London in the
fifties and early sixties: his absorption of the lives and the work
of classic writers; his shrewd observations of those he
encountered; his definition of the kind of poetic writer he wished
to become. He consider McGahern's first efforts as an apprentice
novelist and weaves the inner story of the writing of The Barracks
in 1960-62 into a narrative of his imaginative formation. This is
an account of McGahern's triumphant emergence from what he called
'my years of training in the secret Dublin years'. In the decades
that followed, whilst he experimented in styles and genres, the
foundational aspects of his identity as a writer remained constant.
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