The book discusses the central concepts of National Socialist art
policy: 'degenerate art' and 'German art'. With the aid of
linguistic discourse analysis the history of these concepts is
traced from their emergence in the 18th century and their
development investigated up to the deontic potential they were
invested with in National Socialist criticism of literature and
art. The author demonstrates how these two concepts were drawn upon
in word and text as a foundation for bans on artists and the
burning of paintings in the Third Reich.
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