Investigating the concepts and material realities of energy
coursing through the arts: a foundational text. This book
investigates energies-in the plural, the energies embedded and
embodied in everything under the sun- as they are expressed in the
arts. With contributions from scholars and critics from the visual
arts, art history, anthropology, music, literature, and the history
of science, it offers the first multidisciplinary investigation of
the concepts and material realities of energy coursing through the
arts. Just as Douglas Kahn's earlier books helped introduce sound
as a category for study in the arts, this new volume will be a
foundational volume for future explorers in a largely uncharted
domain. The modern concept of energy is only two hundred years
old-an abstraction grounded in extraction-but this book takes a
more expansive view. It opens with a clap: the sonic energies in a
ceremony of the indigenous Goolarabooloo people of Australia. Other
chapters explore the energies of photography; responses of artists
in the early twentieth century-including Marcel Duchamp-to
scientific discoveries in electricity and electromagnetism; the
aestheticization of entropy in works by Hans Haacke and Robert
Smithson; free-jazz musician Milford Graves's cross-cultural
engagement with music, science, and spiritualism; energy field
performance; and the self-generating energy of rumor and gossip as
artwork. Contributors include such leading scholars as Linda
Dalrymple Henderson, John Tresch, and Caroline A. Jones. Practicing
artists and students of art history will find Energies in the Arts
an essential work. Contributors Susan Ballard, Jennifer Biddle,
Marcus Boon, Joan Brassil, Steven Connor, Milford Graves, Daniel
Hackbarth, Linda Dalrymple Henderson, Caroline A. Jones, Douglas
Kahn, David Mather, Stephen Muecke, James Nisbet, Daniela
Silvestrin, Michael Taussig, John Tresch, Melissa Warak
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