0
Your cart

Your cart is empty

Books > Arts & Architecture > Performing arts > Dance

Buy Now

Screendance - Inscribing the Ephemeral Image (Paperback) Loot Price: R1,318
Discovery Miles 13 180
Screendance - Inscribing the Ephemeral Image (Paperback): Douglas Rosenberg

Screendance - Inscribing the Ephemeral Image (Paperback)

Douglas Rosenberg

 (sign in to rate)
Loot Price R1,318 Discovery Miles 13 180 | Repayment Terms: R124 pm x 12*

Bookmark and Share

Expected to ship within 12 - 17 working days

The relationship between the practice of dance and the technologies of representation has excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg's groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject. As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film. Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy.

General

Imprint: Oxford UniversityPress
Country of origin: United States
Release date: July 2012
First published: June 2012
Authors: Douglas Rosenberg (Associate Professor of Art)
Dimensions: 234 x 163 x 16mm (L x W x T)
Format: Paperback
Pages: 234
ISBN-13: 978-0-19-977262-9
Categories: Books > Arts & Architecture > Photography & photographs > General
Books > Arts & Architecture > Performing arts > Theatre, drama > General
Books > Arts & Architecture > Performing arts > Films, cinema > General
Books > Arts & Architecture > Performing arts > Dance > General
Promotions
LSN: 0-19-977262-2
Barcode: 9780199772629

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners