This volume spotlights the visual arts, vision, and blindness
during the Enlightenment in France, Britain, and Germany. The
essays range from exploring the musical and cultural impact of an
eighteenth-century virtuoso violinist to analyzing lotteries as
romance in eighteenth-century England.
Contributors and Contents:
Mary Sheriff, The King, the Trickster and the Gorgon: On the
Illusions of Rococo ArtBeverly Wilcox, The Hissing of Monsieur
PaginJessica Richard, Lotteries and the Romance of Chance in
Eighteenth-Century EnglandEmrys D. Jones, 'Friendship like mine /
Throws all Respects behind it': Male Companionship and the Cult of
Frederick, Prince of WalesDavid Hagan, Threading the Needle:
Problems in Reading Dennis Diderot's "La lettre sur les
aveugles"Josephine Touma, From the Playhouse to the Page: Some
Visual Sources for Watteau's Theatrical UniverseDaniel O'Quinn,
Diversionary Tactics and Coercive Acts: John Burgoyne's "Fete
Champetre"Shelley King, Portrait of a Marriage: John and Amelia
Opie and the Sister ArtsDavid Fairer, Where Fuming Trees Refresh
the Thirsty AirDorothea Von Mucke, Iconic Turn and the Power of
Images: Goethe's "Elective Affinities"Laure Marcellesi,
Louis-Sebastien Mercier: Prophet, Abolitionist, Colonialist
General
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