This book investigates the intersection of Indian society, the
encoding of post-millennial modernity and 'ways of seeing' through
the medium of Indian graphic narratives. If seeing in Indian
cultures is a mode of knowing then what might we decode and know
from the Indian graphic narratives examined here? The book posits
that the 'seeing' of post-millennial Indian graphic narratives
revolves around a visuality of the inauspicious, complemented by
narratives of the same. Examining both form and content across nine
Indian, post-millennial graphic narratives, this book will appeal
to those working in South Asian visual studies, cultural studies
and comics-graphic novel studies more broadly.
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