In The Popular Front Novel in Britain, 1934 1940, Elinor Taylor
provides the first study of the relationship between the British
novel and the anti-fascist Popular Front strategy endorsed by the
Comintern in 1935. Through readings of novels by British Communists
including, Taylor shows that the realist novel of the left was a
key site in which the politics of anti-fascist alliance were
rehearsed. This book at once illuminates the cultural formation of
the Popular Front in Britain and proposes a new framework for
reading British fiction of this period.
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