Shakespeare is everywhere in contemporary media culture. This book
explores the reasons for this dissemination and reassemblage.
Ranging widely over American TV drama, it discusses the use of
citations in Westworld and The Wire, demonstrating how they tap
into but also transform Shakespeare's preferred themes and
concerns. It then examines the presentation of female presidents in
shows such as Commander in Chief and House of Cards, revealing how
they are modelled on figures of female sovereignty from his plays.
Finally, it analyses the specifically Shakespearean dramaturgy of
Deadwood and The Americans. Ultimately, the book brings into focus
the way serial TV drama appropriates Shakespeare in order to give
voice to the unfinished business of the American cultural
imaginary. -- .
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