Carved for a Roman city prefect who was a newly baptized
Christian at his death, the sarcophagus of Junius Bassus is not
only a magnificent example of "the fine style" of
mid-fourth-century sculpture but also a treasury of early Christian
iconography clearly indicating the Christianization of Rome--and
the Romanization of Christianity. Whereas most previous scholarship
has focused on the style of the sarcophagus, Elizabeth Struthers
Malbon explores the perplexing elements of its iconography in their
fourth-century context. In so doing she reveals the distinction
between "pagan" and Christian images to be less rigid than
sometimes thought.
Against the background of earlier and contemporary art and
religious literature, Malbon explicates the relationship of the
facade's two levels of scenes depicting stories from the Old and
New Testaments, the connection between the scenes on the facade
with those on the lid and ends of the sarcophagus, and the
integration of pagan elements within a Christian work. What emerges
is a carefully constructed iconographic program shedding light on
the development of early Christian art within late antique
culture.
Originally published in 1990.
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