Emily Steiner describes the rich intersections between legal
documents and English literature in the fourteenth and fifteenth
centuries. The literature of this period, from Passion lyrics to
Lollard sermons, abounds in documentary language and metaphors.
Steiner argues that documentary culture (including charters,
testaments, patents and seals) enabled writers to think in new ways
about the conditions of textual production in late medieval
England. She explains that the distinctive rhetoric, material form
and ritual performance of legal documents offered writers of
Chaucer's generation and the generation succeeding him a model of
literary practice. Covering a wide variety of medieval texts:
sermons, lyrics, Piers Plowman, Mum and the Sothsegger, The Book of
Margery Kempe, heretical writings and trial records, this study
will be of interest to scholars of medieval literary studies and
medieval studies in general.
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