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Part-Architecture - The Maison de Verre, Duchamp, Domesticity and Desire in 1930s Paris (Paperback)
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Part-Architecture - The Maison de Verre, Duchamp, Domesticity and Desire in 1930s Paris (Paperback)
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Part-Architecture presents a detailed and original study of Pierre
Chareau's Maison de Verre through another seminal modernist
artwork, Marcel Duchamp's Large Glass. Aligning the two works
materially, historically and conceptually, the book challenges the
accepted architectural descriptions of the Maison de Verre, makes
original spatial and social accounts of its inhabitation in 1930s
Paris, and presents new architectural readings of the Large Glass.
Through a rich analysis, which incorporates creative projects into
history and theory research, the book establishes new ways of
writing about architecture. Designed for politically progressive
gynaecologist Dr Jean Dalsace and his avant-garde wife, Annie
Dalsace, the Maison de Verre combines a family home with a
gynaecology clinic into a 'free-plan' layout. Screened only by
glass walls, the presence of the clinic in the home suggests an
untold dialogue on 1930s sexuality. The text explores the Maison de
Verre through another radical glass construction, the Large Glass,
where Duchamp's complex depiction of unconsummated sexual relations
across the glass planes reveals his resistance to the marital
conventions of 1920s Paris. This and other analyses of the Large
Glass are used as a framework to examine the Maison de Verre as a
register of the changing history of women's domestic and maternal
choices, reclaiming the building as a piece of female social
architectural history. The process used to uncover and write the
accounts in the book is termed 'part-architecture'. Derived from
psychoanalytic theory, part-architecture fuses analytical,
descriptive and creative processes, to produce a unique social and
architectural critique. Identifying three essential materials to
the Large Glass, the book has three main chapters: 'Glass', 'Dust'
and 'Air'. Combining theory text, creative writing and drawing,
each traces the history and meaning of the material and its
contribution to the spaces and sexuality of the Large Glass and the
Maison de Verre. As a whole, the book contributes important and
unique spatial readings to existing scholarship and expands
definitions of architectural design and history.
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