This book examines images of female illness and invalidism as a
metaphor of women's position of invisibility in Victorian and
fin-de-siecle America, which pervade the fiction of the Virginia
writer Ellen Glasgow (Richmond, 1873-1945). The study contends that
the author explores the Victorian cult of invalidism to reveal the
mechanisms of patriarchy: her novels warn against adhering to its
values, since women are moulded to become epitomes of extreme
delicacy and selflessness, being ultimately reduced to virtual
inexistence. Many times physically incapacitating, Glasgow seems to
suggest, the doctrine of female self-effacement always debilitates
women's autonomy as human beings. The female invalids in Glasgow's
fiction thus operate as uncanny mirrors of the self women become if
they adhere to the traditional code of femininity and its adjoining
principle of self-sacrifice.
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