This book explores how copyright laws are perceived within street
art and graffiti subcultures to examine how artists and writers
view certain creative aspects of their own practice. Drawing on
ethnographic research and fieldwork, the book gives voice to the
main actors of these communities and highlights their feelings and
opinions toward issues that are increasingly impacting their
everyday life and work. It also touches on related and
complementary issues, such as the 'gallerisation' or economic
exploitation of these forms of art and the curious similarities
between the graffiti and advertising worlds. Unique and
comprehensive, Copyright on the Street brings the 'voice from the
street' into the debate over the legal and non-legal protection of
street art and graffiti.
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