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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1900 to First World War > Cubism

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Pablo Picasso - The Interaction Between Collectors and Exhibitions, 1899-1939 (Hardcover) Loot Price: R3,457
Discovery Miles 34 570
Pablo Picasso - The Interaction Between Collectors and Exhibitions, 1899-1939 (Hardcover): Enrique Mallen

Pablo Picasso - The Interaction Between Collectors and Exhibitions, 1899-1939 (Hardcover)

Enrique Mallen

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Loot Price R3,457 Discovery Miles 34 570 | Repayment Terms: R324 pm x 12*

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This book explores the interaction between collectors, dealers and exhibitions in Pablo Picassos entire career. The former two often played a determining role in which artworks were included in expositions as well as their availability and value in the art market. The term collector/dealer must often be used in combination since the distinction between both is often unclear; Heinz Berggruen, for instance, identified himself primarily as a collector, although he also sold quite a few Picassos through his Paris gallery. On the whole, however, dealers bought more often than collectors; and they bought works by artists they were already involved with. While some dealers were above all professional gallery owners; most were mainly collectors who sporadically sold items from their collection. Picassos first known dealer was Pere Manyach, whom he met as he travelled to Paris in 1900 when he was only 19 years old. As his representative, Manyach went about setting up exhibitions of his works at galleries in the French capital, such as Bethe Weills and Ambroise Vollards. Picassos first major exhibition took place in 1901 at Vollards. Daniel-Henry Kahnweiler and Leonce Rosenberg came in after Vollard lost interest during the Cubist period, as they had a manifest preference for the new style. Like Vollard, later dealers often preferred the more conventional Neoclassical phase in Picasso. This was the case with Leonces brother, Paul Rosenberg. The book is organized chronologically and discusses the interaction between Picassos collectors, dealers and exhibitions as they take place. Once collectors acquired an artwork, their willingness to lend them to exhibitions or their necessity to submit them to auction had a direct impact on Picassos prominence in the art world.

General

Imprint: Sussex Academic Press
Country of origin: United Kingdom
Release date: April 2018
Authors: Enrique Mallen
Dimensions: 234 x 156 x 23mm (L x W x T)
Format: Hardcover
Pages: 256
ISBN-13: 978-1-84519-900-5
Categories: Books > Language & Literature > Biography & autobiography > Film, television, music, theatre
Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1900 to First World War > Cubism
Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960 > Surrealism & Dada
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
Books > Biography > Film, television, music, theatre
LSN: 1-84519-900-6
Barcode: 9781845199005

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