Much music was written for the two most important dances of the
18th and 19th centuries, the minuet and the waltz. In Decorum of
the Minuet, Delirium of the Waltz, Eric McKee argues that to better
understand the musical structures and expressive meanings of this
dance music, one must be aware of the social contexts and bodily
rhythms of the social dances upon which it is based. McKee
approaches dance music as a component of a multimedia art form that
involves the interaction of physical motion, music, architecture,
and dress. Moreover, the activity of attending a ball involves a
dynamic network of modalities sight, sound, bodily awareness,
touch, and smell, which can be experienced from the perspectives of
a dancer, a spectator, or a musician. McKee considers dance music
within a larger system of signifiers and points-of-view that opens
new avenues of interpretation."
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