Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Performance art
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Choreography, Visual Art and Experimental Composition 1950s-1970s (Paperback)
Loot Price: R1,134
Discovery Miles 11 340
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Choreography, Visual Art and Experimental Composition 1950s-1970s (Paperback)
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This book traces the history of engagements between dance and the
visual arts in the mid-twentieth century and provides a backdrop
for the emerging field of contemporary, intermedial art practice.
Exploring the disciplinary identity of dance in dialogue with the
visual arts, this book unpacks how compositional methods that were
dance-based informed visual art contexts. The book provokes fresh
consideration of the entangled relationship between, and
historiographic significance of, visual arts and dance by exploring
movements in history that dance has been traditionally mapped to
(Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism, and
Performance Art) and the specific practices and innovations from
key people in the field (like John Cage, Anna Halprin, and Robert
Rauschenberg). This book also employs a series of historical and
critical case studies which show how compositional approaches from
dance-breath, weight, tone, energy-informed the emergence of the
intermedial. Ultimately this book shows how dance and choreography
have played an important role in shaping visual arts culture and
enables the re-imagination of current art practices through the use
of choreographic tools. This unique and timely offering is
important reading for those studying and researching in visual and
fine arts, performance history and theory, dance practice and dance
studies, as well as those working within the fields of dance and
visual art. Chapter 1 of this book is freely available as a
downloadable Open Access PDF under a Creative Commons
Attribution-Non Commercial-No Derivatives 4.0 license available at
http://www.taylorfrancis.com
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