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The Construction of Testimony - Claude Lanzmann's Shoah and Its Outtakes (Paperback)
Loot Price: R1,191
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The Construction of Testimony - Claude Lanzmann's Shoah and Its Outtakes (Paperback)
Series: Contemporary Approaches to Film and Media Series
Expected to ship within 10 - 15 working days
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In The Construction of Testimony: Claude Lanzmann's Shoah and Its
Outtakes, editors Erin McGlothlin, Brad Prager, and Markus
Zisselsberger gather contributions on how Shoah (1985)
fundamentally changed the nature and use of filmed testimony and
laid the groundwork for how historians and documentarians regard
and understand the history of the Holocaust. Critics have taken
long note of Shoah's innovative style and its place in the history
of documentary film and in cultural memory, but few scholars have
touched on its extensive outtakes and the reams of documentation
archived at the United States Holocaust Memorial Museum and at Yad
Vashem, or the release of five feature-length documentaries based
on the material in those outtakes. The Construction of Testimony,
which contains thirteen essays by some of the most notable scholars
in Holocaust film studies, reexamines Lanzmann's body of work, his
film, and the impact of Shoah through this trove-over 220 hours-of
previously unavailable and unexplored footage. Responding to the
need for a sustained examination of Lanzmann's impact on historical
and filmic approaches to testimony, this volume inaugurates a new
era of scholarship, one that takes a critical position vis-a-vis
the filmmaker's posturing, stylization, and editorial
sleight-of-hand. The volume's contributors engage with a range of
dimensions central to Lanzmann's filmography and the outtakes,
including the dynamics of gender in his work, his representation of
Nazi perpetrators, and complex issues of language and translation.
In light of Lanzmann's invention of a radically new form of
witnessing and remembrance, Shoah laid the framework for the ways
in which subsequent filmmakers have represented the Holocaust
cinematically; at the same time, the outtakes complicate this
framework by revealing new details about the filmmaker's complex
editorial choices. Scholars and students of film studies and
Holocaust studies will value this close analysis.
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