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Sacraments of Memory - Catholicism and Slavery in Contemporary African American Literature (Paperback)
Loot Price: R596
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Sacraments of Memory - Catholicism and Slavery in Contemporary African American Literature (Paperback)
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List price R671
Loot Price R596
Discovery Miles 5 960
You Save R75 (11%)
Expected to ship within 10 - 15 working days
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Catholic themes and imagery in the work of writers including Toni
Morrison, Leon Forrest, Phyllis Alesia Perry, and Charles Johnson
Sacraments of Memory is the first book to focus on Catholic themes
and imagery in African American literature. Erin Michael Salius
discovers striking elements of the religion in neo-slave narratives
written by Toni Morrison, Leon Forrest, Phyllis Alesia Perry, and
Charles Johnson, among others. Examining the emergence of this
major literary genre following Vatican II and amidst the Black
Power and civil rights movements, she uncovers the presence of
Catholic rituals and mysteries-including references to the
Eucharist, Augustinian theology, spirit possession, and stigmata.
These textual references occur alongside and in tension with
criticisms of the Church's political and social policies. Salius
offers a nuanced reading of Beloved that interprets the novel in
light of Toni Morrison's affiliation with the religion. She argues
that Morrison, and the other novelists in this study, draw on a
Catholic countertradition in American literature that resists
Enlightenment rationality. She highlights allusions to Catholic
tropes such as the connections between spirit possession and the
hijacking of Jane's narrative voice in Ernest Gaines's The
Autobiography of Miss Jane Pittman. Salius also identifies
Augustinian theology on the prescience of God in the flash-forward
narrative techniques used in Edward P. Jones's The Known World.
These authors use Catholicism to challenge the historical realism
of past slave autobiographies and the conventional story of
American slavery. Ultimately, Salius contends that this tradition
enables these novelists to imagine and express radically different
ways of remembering the past. Publication of the paperback edition
made possible by a Sustaining the Humanities through the American
Rescue Plan grant from the National Endowment for the Humanities.
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