Books > Science & Mathematics > Physics > Classical mechanics > Sound, vibration & waves (acoustics)
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The Helmholtz Legacy in Physiological Acoustics (Hardcover, 2014 ed.)
Loot Price: R3,053
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The Helmholtz Legacy in Physiological Acoustics (Hardcover, 2014 ed.)
Series: Archimedes, 39
Expected to ship within 12 - 17 working days
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This book explores the interactions between science and music in
the late nineteenth- and early twentieth century. It examines and
evaluates the work of Hermann von Helmholtz, Max Planck, Shohe
Tanaka, and Adriaan Fokker, leading physicists and physiologists
who were committed to understanding crucial aesthetic components of
the art of music, including the standardization of pitch and the
implementation of various types of intonations. With a mixture of
physics, physiology, and aesthetics, author Erwin Hiebert addresses
throughout the book how just intonation came to intersect with the
history of keyboard instruments and exert an influence on the
development of Western music. He begins with the work of Hermann
von Helmholtz, a leading nineteenth-century physicist and
physiologist who not only made important contributions in vision,
optics, electrodynamics and thermodynamics, but also helped
advanced the field of music theory as well. The author traces the
Helmholtzian trends of thought that become inherently more complex
by reaching beyond the sciences to perform a bridge with aesthetics
and the diverse ways in which the human mind interprets or is
taught, in different cultures, to interpret and understand music.
Next, the author explores the works of other key physicists and
physiologists who were influenced by Helmholtz and added to his
legacy. He examines Japanese music theory student Shohe Tanaka, who
sought to design a harmonium that was not based on equal
temperament but rather on just intonation. Dutch physicist Adriaan
Daniel Fokker, who arranged for organs to be built based on
31-tones per octave, orchestrated concerts for these new
instruments and even attempted to compose microtonal music, or
music whose tonality is based on intervals smaller than the typical
twelve semitones of Western music."
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