0
Your cart

Your cart is empty

Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960

Buy Now

Errant Modernism - The Ethos of Photography in Mexico and Brazil (Paperback) Loot Price: R1,010
Discovery Miles 10 100
Errant Modernism - The Ethos of Photography in Mexico and Brazil (Paperback): Esther Gabara

Errant Modernism - The Ethos of Photography in Mexico and Brazil (Paperback)

Esther Gabara

Series: A John Hope Franklin Center Book

 (sign in to rate)
Loot Price R1,010 Discovery Miles 10 100 | Repayment Terms: R95 pm x 12*

Bookmark and Share

Expected to ship within 10 - 15 working days

Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Authors who are now canonical figures in the two countries' literary traditions looked at modern life through the camera in a variety of ways. Mario de Andrade, known as the "pope" of Brazilian modernism, took and collected hundreds of photographs. Salvador Novo, a major Mexican writer, meditated on the medium's aesthetic potential as "the prodigal daughter of the fine arts." Intellectuals acted as tourists and ethnographers, and their images and texts circulated in popular mass media, sharing the page with photographs of the New Woman. In this richly illustrated study, Gabara introduces the concept of a modernist "ethos" to illuminate the intertwining of aesthetic innovation and ethical concerns in the work of leading Brazilian and Mexican literary figures, who were also photographers, art critics, and contributors to illustrated magazines during the 1920s and 1930s.

Gabara argues that Brazilian and Mexican modernists deliberately made photography err: they made this privileged medium of modern representation simultaneously wander and work against its apparent perfection. They flouted the conventions of mainstream modernism so that their aesthetics registered an ethical dimension. Their photographic modernism strayed, dragging along the baggage of modernity lived in a postcolonial site. Through their "errant modernism," avant-garde writers and photographers critiqued the colonial history of Latin America and its twentieth-century formations.

General

Imprint: Duke University Press
Country of origin: United States
Series: A John Hope Franklin Center Book
Release date: December 2008
First published: December 2008
Authors: Esther Gabara
Dimensions: 235 x 156 x 29mm (L x W x T)
Format: Paperback - Trade
Pages: 376
ISBN-13: 978-0-8223-4323-3
Categories: Books > Arts & Architecture > Photography & photographs > General
Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960 > General
LSN: 0-8223-4323-1
Barcode: 9780822343233

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners