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Archetypes, Imprecators, and Victims of Fate - Origins and Developments of Satire in Black Drama (Hardcover, New)
Loot Price: R2,688
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Archetypes, Imprecators, and Victims of Fate - Origins and Developments of Satire in Black Drama (Hardcover, New)
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In searching for a definitive concept of black theatre, Euba delves
deeply into the Yoruba culture and gods, specifically the
attributes and ritual of Esu-Elegbara. The resulting vision goes
beyond the standard interpretations to place Esu, the fate god,
squarely at the center of Yoruba ritual and drama, and by
extension, at the center of the black writer's concept of
character, actor, and audience as victims of fate and satire. The
first section of the book explores the essence of man in the black
world of survival. The second, and main section, seeks to develop a
concept of drama in black theatre (in African and the New World
experience) from the point of view of Esu-Elegbara. The text is
highlighted by various illustrations. Three tables outline the
Agents of Satire: Imprecator; Imprecator/Satirist; and
Satirist/Agent. A bibliography, notes, and an index will help the
scholar who wishes to further explore this rich and complex
subject. The book is a sophisticated study that will be of great
interest to students seeking to understand African influences on
black culture today. Potential markets for the book include
university-level black history, literature, or culture studies. A
broader market might be found among theatre practitioners and
students of modern drama.
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