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The Ephemeral Museum - Old Master Paintings and the Rise of the Art Exhibition (Hardcover, New)
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The Ephemeral Museum - Old Master Paintings and the Rise of the Art Exhibition (Hardcover, New)
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When and why did large-scale exhibitions of Old Master paintings
begin, and how have they evolved through the centuries? In this
book an eminent art historian examines the intriguing history and
significance of these international art exhibitions. Francis
Haskell begins by discussing the first 'Old Master' exhibitions in
Rome and Florence in the seventeenth century and then moves to
eighteenth-century France and the efforts to organize exhibitions
of contemporary art that would be an alternative to the official
ones held by the Salon. He next describes the role of the British
Institution in London and the series of remarkable loan exhibitions
of Old Master paintings there. He traces the emergence of such
nationalist exhibitions as the Rembrandt exhibition held in
Amsterdam in 1898 - the first modern 'blockbuster' show.
Demonstrating how the international loan exhibition was a vehicle
of foreign and cultural policy after the First World War, he gives
a fascinating account of several of these, notably the Italian art
exhibition held at Burlington House in London in 1930. He describes
the initial reluctance of major museums to send pictures on
potentially damaging journeys and explains how this feeling gave
way to cautious enthusiasm. Finally, in a polemical chapter, he
explores the types of publication associated with exhibitions and
the criticism and scholarship that have centred upon them. Francis
Haskell, who died in January 2000, was one of the most original and
influential art historians of the twentieth century. His books
included 'Patrons and Painters: A Study in the Relations between
Italian Art and Society in the Age of the Baroque' (revised
edition, 1980), 'Past and Present in Art and Taste' (1987),
'History and Its Images: Art and the Interpretation of the Past'
(1993) and, with Nicholas Penny, 'Taste and the Antique' (1982),
all published by Yale University Press. He retired as Professor of
the History of Art at Oxford University in 1995.
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