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Books > Computing & IT > Applications of computing > Signal processing
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Ambisonics - A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality (Hardcover, 1st ed. 2019)
Loot Price: R1,695
Discovery Miles 16 950
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Ambisonics - A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality (Hardcover, 1st ed. 2019)
Series: Springer Topics in Signal Processing, 19
Expected to ship within 10 - 15 working days
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This open access book provides a concise explanation of the
fundamentals and background of the surround sound recording and
playback technology Ambisonics. It equips readers with the
psychoacoustical, signal processing, acoustical, and mathematical
knowledge needed to understand the inner workings of modern
processing utilities, special equipment for recording,
manipulation, and reproduction in the higher-order Ambisonic
format. The book comes with various practical examples based on
free software tools and open scientific data for reproducible
research. The book's introductory section offers a perspective on
Ambisonics spanning from the origins of coincident recordings in
the 1930s to the Ambisonic concepts of the 1970s, as well as
classical ways of applying Ambisonics in first-order coincident
sound scene recording and reproduction that have been practiced
since the 1980s. As, from time to time, the underlying mathematics
become quite involved, but should be comprehensive without
sacrificing readability, the book includes an extensive
mathematical appendix. The book offers readers a deeper
understanding of Ambisonic technologies, and will especially
benefit scientists, audio-system and audio-recording engineers. In
the advanced sections of the book, fundamentals and modern
techniques as higher-order Ambisonic decoding, 3D audio effects,
and higher-order recording are explained. Those techniques are
shown to be suitable to supply audience areas ranging from
studio-sized to hundreds of listeners, or headphone-based playback,
regardless whether it is live, interactive, or studio-produced 3D
audio material.
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