Though often portrayed in scholarly literature as a spontaneous
artist, Frida Kahlo worked in a quite deliberate manner, basing her
paintings on diverse cultural and philosophical sources. "Imaging
Her Selves" uncovers the unexplored visual and textual foundations
of Kahlo's imagery, illustrating--through a detailed study of her
diary, letters, library collection, and other material-- the
complex multilayered meanings of the many selves she comprised. In
dozens of self-portraits, Kahlo examined the conventional and
unconventional roles with which she attempted to identify. Ankori's
work offers an innovative interpretation of her art as a major
contribution to the ongoing human quest for a fuller understanding
of the meaning of self.
Acknowledging her failure to conform to traditional female
roles, such as that of wife and mother, Kahlo investigated
alternative options. Her physical, metaphysical, social, and
genealogical selves--including Lilith, La Llorona, La Malinche, the
Crowned Nun, and the Hindu goddess Parvati-- are all on display in
her art. Transcending typical biographical inquiries, Ankori has
created a broader study of the way in which Kahlo's art both
reflected and refracted her multifaceted identity.
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