Andri Gide once said that Feodor Dostoevsky "lost himself in the
characters of his books, and, for this reason, it is in them that
he can be found again." In "Dostoevsky: The Author as
Psychoanalyst," Louis Breger approaches Dostoevsky
psychoanalytically, not as a "patient" to be analyzed, but as a
fellow psychoanalyst, someone whose life and fiction are
intertwined in the process of literary self-exploration.
Raskolnikov's dream of the suffering horse in "Crime and
Punishment" has become one of the best known in all literature, its
rich imagery expressing meaning on many levels. Using this as a
starting point, Breger goes on to offer a detailed analysis of the
novel, situating it at the pivotal point in Dostoevsky's life
between the death of his first wife and his second marriage. Using
insights from his psychological training, Breger also explores
other works by Dostoevsky, among them his early novel, "The
Double," which Breger relates to the nervous breakdown that
Dostoevsky suffered in his twenties, as well as "Notes from
Underground," "The Possessed," "The Idiot," "The Brothers
Karamazov," and so forth. Additionally, details from Dostoevsky's
own life--his compulsive gambling, his epilepsy, his philosophical,
political, religious, and mystical beliefs, and the interpretations
of them found in existing biographies--are analyzed in detail.
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