This is the first collection of interviews with John Ford
(1895--1973), whom many aficionados of fine films consider not only
the major American filmmaker but also one of the most extraordinary
American artists of the twentieth century.
Among the world's filmmakers who have been devotees of Ford's
work are Jean-Luc Godard, Ingmar Bergman, Akira Kurosawa, Martin
Scorsese, George Lucas, Wim Wenders, and Orson Welles, who, when
asked from whom he learned how to make "Citizen Kane," exclaimed
"John Ford, John Ford, John Ford "
And yet, Ford, unquestionably a giant of the international film
world, is far less known, his genius less recognized, although his
accomplishments comprise perhaps the best film biography of all
time ("Young Mr. Lincoln"), the best war film ("They Were
Expendable"), a masterly romance ("The Quiet Man"), a sublime film
of childhood ("How Green Was My Valley"), classic adaptations from
fiction ("The Grapes of Wrath," "The Long Voyage Home"), and the
American Western, on which he left his indelible signature
("Stagecoach," "My Darling Clementine," "Fort Apache," "She Wore a
Yellow Ribbon," "The Man Who Shot Liberty Valance," and "The
Searchers").
Although his was a brilliant career, Ford was not a
self-promoter. He refused to discuss his film art. In fact, with
interviewers he proved to be gruff and impatient. With those who
asked him intellectual questions he was downright cantankerous. His
sarcasm, impatience, and occasional mean-spiritedness were quick to
surface during interviews. The legend is that he was the
interviewee from hell.
Yet there were times when he let the walls down and spoke openly
and even generously. This book includes at least a dozen such lucid
encounters with him, many reprinted for the first time. Also for
the first time, several French interviews have been translated into
English and show how with French critics Ford enjoyed making
conversation. Included too are interviews newly discovered and not
listed previously in any bibliography, as well as his poignant and
revelatory interviews granted when he knew he was dying.
Gerald Peary, a professor of communication and journalism at
Suffolk University in Boston, is a film critic for the "Boston
Phoenix" and editor of "Quentin Tarantino: Interviews" (University
Press of Mississippi).
General
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