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Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800

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The Late Paintings of Velazquez - Theorizing Painterly Performance (Hardcover, New Ed) Loot Price: R4,176
Discovery Miles 41 760
The Late Paintings of Velazquez - Theorizing Painterly Performance (Hardcover, New Ed): Giles Knox

The Late Paintings of Velazquez - Theorizing Painterly Performance (Hardcover, New Ed)

Giles Knox

Series: Visual Culture in Early Modernity

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Loot Price R4,176 Discovery Miles 41 760 | Repayment Terms: R391 pm x 12*

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The startling conclusion of The Late Paintings of Velazquez is that Diego Velazquez painted two of his most famous works, The Spinners and Las Meninas, as theoretically informed manifestos of painterly brushwork. As a pair, Giles Knox argues, the two paintings form a learned retort to the prevailing critical disdain for the painterly. Knox presents a Velazquez who was much more aware of the art theory of his era than previously acknowledged, leading him to reinterpret Las Meninas and The Spinners as representing together a polemically charged celebration of the "handedness" of painting. Knox removes Velazquez from his Iberian isolation and seeks to recover his highly self-conscious attempt to carve out a place for himself within the history of European painting as a whole. The Late Paintings of Velazquez presents an artist who, like Annibale Carracci, Poussin, Rembrandt, and Vermeer was not only aware of contemporary theoretical writings on art, but also able to translate that knowledge and understanding into a distinctive and personal theory of painting. In Las Meninas and The Spinners, Velazquez propounded this theory with paint, not words. Knox's rethinking of the dynamic relationship between text and image presents a case, not of writing influencing painting, or vice versa, but of the two realms being inextricably bound together. Painterly brushwork presented a challenge to writers on art not just because it was connected too intimately with the base actions of the hand; it was also devilishly hard to describe. By reading Velazquez's painterly performance as text, Knox deciphers how Velazquez was able to craft theoretical arguments more compelling and more vivid than any written counterparts.

General

Imprint: Ashgate Publishing Limited
Country of origin: United Kingdom
Series: Visual Culture in Early Modernity
Release date: May 2009
First published: 2009
Authors: Giles Knox
Dimensions: 246 x 174mm (L x W)
Format: Hardcover
Pages: 208
Edition: New Ed
ISBN-13: 978-0-7546-6677-6
Categories: Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800 > General
Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > General
LSN: 0-7546-6677-8
Barcode: 9780754666776

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