The extent of John Ruskin's influence has long been acknowledged,
though his impact on the development of Anglo-American modernism
has received little systematic attention. In this volume, published
to mark the centenary of Ruskin's death, a group of international
scholars consider what is often an awkward and conflicted relation.
Ruskin's voluminous writings are seen to shelter an incipient
modernism whose antipathy to a degraded modernity, powerfully
predicts a major current within the work of the new century.
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