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Books > Language & Literature > Literature: history & criticism > Literary studies > From 1900
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Laughing Fit to Kill - Black Humor in the Fictions of Slavery (Paperback)
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Laughing Fit to Kill - Black Humor in the Fictions of Slavery (Paperback)
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Modern black humor represents a rich history of radical innovation
stretching back to the antebellum period. Laughing Fit to Kill
reveals how black writers, artists, and comedians have used humor
across two centuries as a uniquely powerful response to forced
migration and enslavement. Glenda Carpio traces how, through
various modes of "conjuring," through gothic, grotesque and
absurdist slapstick, through stinging satire, hyperbole, and
burlesque, and through the strategic expression of racial
stereotype itself, black humorists of all sorts have enacted
"rituals of redress." In highlighting the tradition and tropes of
black humorists, Carpio illuminates the reach of slavery's long arm
into our contemporary popular culture. She convincingly
demonstrates the ways that, for instance, Richard Pryor and Dave
Chappelle's modes of post-Civil Rights tragicomedy are deeply
indebted to that of William Wells Brown and Charles Chesnutt's
19th-century comedic conjuring. Likewise, she reveals how
contemporary iconoclasts such as Ishmael Reed and Suzan-Lori Parks
owe much to the intricate satiric grammar of black linguistic
expression rooted in slavery. Carpio also demonstrates how Robert
Colescott's 1970s paintings and Kara Walker's silhouette
installations use a visual vocabulary to extend comedy in a visual
register. The jokes in this tradition are bawdy, brutal, horrific
and insurgent, and they have yet to be fully understood. Laughing
Fit to Kill provides a new critical lexicon for understanding the
jabbing punch-lines that have followed slavery's long legacy.
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