This book is the first to analyse how BBC radio presented
Anglophone Caribbean literature and in turn aided and influenced
the shape of imaginative writing in the region. Glyne A. Griffith
examines Caribbean Voices broadcasts to the region over a
fifteen-year period and reveals that though the program's funding
was colonial in orientation, the content and form were antithetical
to the very colonial enterprise that had brought the program into
existence. Part literary history and part literary biography, this
study fills a gap in the narrative of the region's literary
history.
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