Yoshiaki Shimizu, one of the foremost scholars of Japanese art
history, taught at Princeton University for more than twenty-five
years, during which time he trained many students who have become
respected professors and museum professionals. "Crossing the Sea"
gathers original essays by thirteen of these students, in honor of
Shimizu's extraordinary career at Princeton as well as his teaching
at other institutions and his work as curator of Japanese art at
the Freer-Sackler Gallery in Washington, D.C. Ranging in topic from
premodern Buddhist, narrative, and ink painting in Japan and East
Asia to modern and contemporary Japanese painting, prints, and
popular visual images, these essays present innovative research
that draws attention to remarkable works of Japanese art and their
fascinating historical contexts and modern interpretations.
Including reinterpretations of well-known works and richly
developed accounts of their meaning and function in historical,
religious, and cultural contexts, this volume also provides a
state-of-the-field portrait of Japanese art studies today.
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