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Samuel Beckett and the Theatre of the Witness - Pain in Post-War Francophone Drama (Hardcover)
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Samuel Beckett and the Theatre of the Witness - Pain in Post-War Francophone Drama (Hardcover)
Series: Oxford English Monographs
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Samuel Beckett and the Theatre of the Witness explores Beckett's
representation of physical pain in his theatre plays in the long
aftermath of World War II, emphasising how the issues raised by
this staging of pain speak directly to matters lying at the heart
of his work: the affective power of the human body; the doubtful
capacity of language as a means of communication; the aesthetic and
ethical functioning of the theatre medium; and the vexed question
of intersubjective empathy. Alongside the wartime and post-war
plays of fellow Francophone writers Albert Camus, Eugene Ionesco,
Pablo Picasso, and Marguerite Duras, this study resituates
Beckett's early plays in a new conceptualising of le theatre du
temoin or a 'theatre of the witness'. These are plays concerned
with the epistemological and ethical uncertainties of witnessing
another's pain, rather than with the sufferer's own direct
experience. They raise troubling questions about our capacity to
comprehend and respond to another being's pain. Drawing on an
interdisciplinary framework of extant criticism, recorded
historical audience response, theatre and affect theory, and
medical understandings of bodily pain, Hannah Simpson argues that
these plays do not offer any easily negotiable encounter with
physical suffering, pushing us to recognise the very 'otherness' of
another being's pain, even as it invades our own affective sphere.
In place of any comforting transcendence or redemption of endured
pain, they offer a starkly sceptical, even pessimistic probing of
what it is to witness another's suffering.
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