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The Meaning of Modern Architecture - Its Inner Necessity and an Empathetic Reading (Paperback)
Loot Price: R1,429
Discovery Miles 14 290
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The Meaning of Modern Architecture - Its Inner Necessity and an Empathetic Reading (Paperback)
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Using empathy, as established by the Vienna School of Art History,
complemented by insights on how the mind processes visual stimuli,
as demonstrated by late 19th-century psychologists and art
theorists, this book puts forward an innovative interpretative
method of decoding the forms and spaces of Modern buildings. This
method was first developed as scholars realized that the new
abstract art appearing needed to be analysed differently than the
previous figurative works. Since architecture experienced a similar
development in the 1920s and 30s, this book argues that the
empathetic method can also be used in architectural interpretation.
While most existing scholarship tends to focus on formal and
functional analysis, this book proposes that Modern architecture is
too diverse to be reduced to a few common formal or ornamental
features. Instead, by relying on the viewer's innate
psycho-physiological perceptive abilities, sensual and intuitive
understandings of composition, form, and space are emphasized.
These aspects are especially significant because Modern
Architecture lacks the traditional stylistic signs. Including
building analyses, it shows how, by visually reducing cubical forms
and spaces to linear configurations, the exteriors and interiors of
Modern buildings can be interpreted via human perceptive abilities
as dynamic movement systems commensurate with the new industrial
transportation age. This reveals an inner necessity these buildings
express about themselves and their culture, rather than just an
explanation of how they are assembled and how they should be used.
The case studies highlight the contrasts between buildings designed
by different architects, rather than concentrating on the few
features that relate them to the zeitgeist. It analyses the
buildings directly as the objects of study, not indirectly, as
designs filtered through a philosophical or theoretical discourse.
The book demonstrates that, with technology and science affecting
culture
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