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English Clandestine Satire, 1660-1702 (Hardcover, New)
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English Clandestine Satire, 1660-1702 (Hardcover, New)
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In early modern Britain, the primary medium of free comment was the
clandestine satire, circulated either orally or in manuscript. Part
of the national political culture from Jacobean times, satire
reached its greatest influence following the Restoration of Charles
II, when a new 'easy' style, combining courtly polish with demotic
frankness and flagrant indecency, led to the composition of
thousands of such poems. Most of the poets of the time, including
such major talents as Marvell and Rochester, wrote in the genre,
though nearly always anonymously. While its chief targets were
political, much Restoration satire concerned itself with the
emerging demography of 'Town' and its uncertain experimentation
with new kinds of social freedom. Attacks on the sexual
misbehaviour (real or imagined) of aristocratic women hover,
equally uncertainly, between moral condemnation and ill-disguised
envy, while also conferring an inverse celebrity status on their
victims. In this paradoxical social world, not to be lampooned
could mean that one was no longer a person of importance. In the
first comprehensive survey of this vast field, Harold Love
considers the relationship of the lampoon to gossip, how one might
construct a poetics of the genre, and how clandestine satire
reached and was received by its readers. Constructing three primary
categories of 'court', 'Town' and 'state' lampooning, Love argues
that far from being the product of isolated disaffection, most
satire was the work of a circle of recognized poets, frequently
operating in collaboration. An extensive first-line index to the
principal manuscript sources for clandestine satire makes this book
an open sesame to further exploration of its fascinating field.
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