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Uncle Tom's Cabin (Paperback, Reissue) Loot Price: R123
Discovery Miles 1 230
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Uncle Tom's Cabin (Paperback, Reissue)

Harriet Beecher Stowe; Introduction by Keith Carabine; Notes by Keith Carabine; Series edited by Keith Carabine

Series: Wordsworth Classics

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List price R144 Loot Price R123 Discovery Miles 1 230 You Save R21 (15%)

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Librarians will dispute Miss White's contention that "boys and girls no longer read Uncle Tom's Cabin;" what cannot be disputed is the dismay with which they regard it, the difficulty they have in understanding it. To overcome the difficulties and "to heighten the effect," she has cut references to terms "outside a young reader's knowledge and understanding" which she interprets to mean "vocabulary beyond the ten-to-fourteen level;" she has substituted indirect for direct discourse in some instances to achieve "a change of pace;" she has removed "old fashioned punctuation" ("they don't understand the semicolon at all"); she has eliminated some explanation of characters and description of surroundings, and "unessential religious commentary and interpolation;" she has simplified the opening of the story "with the object of capturing the reader from the start." All this results in a version which is twenty percent shorter than the original and which is unquestionably easier to read. It is still the story of Uncle Tom (and Eliza and Topsy,) and it still is a moving document, but it is not Mrs. Stowe's book. Hopefully, librarians will have both on their shelves and offer readers an informed choice between the two. (Kirkus Reviews)
Editedand with an Introduction and Notes by Dr Keith Carabine. University of Kent at Canterbury. Uncle Tom's Cabin is the most popular, influential and controversial book written by an American. Stowe's rich, panoramic novel passionately dramatises why the whole of America is implicated in and responsible for the sin of slavery, and resoundingly concludes that only 'repentance, justice and mercy' will prevent the onset of 'the wrath of Almighty God!'. The novel gave such a terrific impetus to the crusade for the abolition of slavery that President Lincoln half-jokingly greeted Stowe as'the little lady' who started the great Civil War. As Keith Carabine argues in his lively and provocative Introduction, the novel immediately provoked a storm of competing and contradictory responses among Northern and Southern readers, moderate and radical abolitionist groups, blacks and women, with regard to issues of form, genre, politics, religion, race and gender, that are still of great interest because they anticipate the concerns that vex and divide modern readers and critical constituencies.

General

Imprint: Wordsworth Editions Ltd
Country of origin: United Kingdom
Series: Wordsworth Classics
Release date: August 1999
First published: August 1999
Authors: Harriet Beecher Stowe
Introduction by: Keith Carabine
Notes by: Keith Carabine
Series editors: Keith Carabine
Dimensions: 198 x 129 x 28mm (L x W x T)
Format: Paperback - B-format
Pages: 438
Edition: Reissue
ISBN-13: 978-1-84022-402-3
Categories: Books > Fiction > General & literary fiction > General
Books > Fiction > Special features > Classic fiction
Books > Language & Literature > Literature: texts > Essays, journals, letters & other prose works > General
Books > Social sciences > Sociology, social studies > Ethnic studies > Black studies
LSN: 1-84022-402-9
Barcode: 9781840224023

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An rightfully damning perspective of slavery in the Confederate South

Mon, 21 Aug 2023 | Review by: DUNCAN D.

Book Review: Uncle Tom’s Cabin by Harriet Beecher Stowe Published in March 1852, it sold 300,000 copies in the US in its first year and 1 million copies in Britain. It was translated in Polish, Hungarian and Russian. By 1861 sales had reached 4,5 million. Uncle Tom’s Cabin was banned by most of the Southern states which subjected Harriet to vicious abuse. They claimed blacks are inferior to whites; that the Bible justified slavery as did the US Constitution. They claimed slaves were well housed and fed and were better off than the ‘wage slaves’ of the North’s factories. Harriet cast African slaves as naturally inclined to the teachings of Christianity. Her casting of the central character, Tom, as a converted Christian was rejected by critics as “audacious trash’ that a ‘savage’ could make that transition. Her solution that slaves should be emancipated to Liberia was rejected by prominent former slave and author Frederick Douglass who insisted that the slaves belonged in America. The book revitalised the abolitionist movement and served to show up the apathy of the Christian world of the free North. As literature, the book is a compendium of sermon, debate, drama, tragedy, brutality, callousness and indifference. Whatever criticisms are made of it, the dehumanised existence within the slave system is starkly presented along with the deeply flawed ideology on which Southern slavery was based. Specific issues that make indelible marks on the reader are: • The breeding of fatherless, motherless slave infants for sale. ‘Topsy,’ the little girl featured, never knew family or love. Instead she was conditioned into never being anything but “a nigger” who can never do any good and must be regularly whipped to ensure that she remains docile and reminded of her inferiority. As she says: “They can’t nobody love niggers.” • The horror of the slave market: being auctioned off at the notorious New Orleans slave market was an experience fraught with shame, fear and despair. Shame because potential buyers physically probed the slave’s body especially young females. Fear because of the unknown nature of buyers and how they would treat the ‘merchandise’ they were buying. Despair because invariably family members or long-standing friends would be separately sold off never to see or hear from each other again. • Whipperies: these were places that carried out punishment on behalf of slave masters who did not wish to personally subject their slaves to a whipping. They were manned by sadistic types who relished their task. A slave sent to a whippery would be given a note as to the number or extent of lashes to be administered. Infection from blood-clotted backs was a commonly suffered.. • Slave masters: The character called St Clare treats his household slaves like family and is on the point of signing Tom’s emancipation papers when he dies. Horror then seizes his slaves because they realise that they will be sold off as part of St Clare’s estate. Taken to the slave market in chains, they were individually sold off with no regard to husband, wife or child being separated from each other. Legree, the slave owner who buys Tom amongst other “purchases,” is heartless, depraved sadist who employs two powerfully built slaves to beat up and whip those who, on a whim, he wants punished. His housing and treatment of his slaves is appallingly inhuman. • Christianity amongst the slaves: Stowe portrays a strong attachment to the Bible which, of course, contrasts with the hypocrisy of many of the slave owners in terms of Christ’s teaching. Tom, the central slave character, is a devout Christian who bears his brutal torture and beating without curse or revenge, so much so that he sees the after-life as his only objective in life. His dying words were “coming home at last.” Uncle Tom’s Cabin should be read by anyone interested in American history and who thinks they know something about the issue of slavery. No matter how fine Robert E Lee was as a Southern General in the Civil War, the fact that he fought for the Confederacy and its slavery institution, Harriet Beecher Stowe’s book provides a perspective which is justifiably damning in the extreme. ****************

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