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Books > Language & Literature > Literature: history & criticism > Literary studies > From 1900
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Playing God - The Bible on the Broadway Stage (Hardcover)
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Playing God - The Bible on the Broadway Stage (Hardcover)
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Whether we regard it as the collected inscriptions of an earlier
oral tradition or as the divinely authored source text of
liturgical ritual, the Bible can be understood as a sacred
performance text, a framework for an instructional theater that
performs the shared moral and ethical values of a community. It's
not surprising, then, that playwrights have turned to the Bible as
a source for theatrical adaptation. Biblical texts have inspired
more than 100 Broadway plays and musicals, ranging from early
spectacles like Ben-Hur (1899) to more familiar works such as
Godspell and Jesus Christ Superstar. What happens when a culture's
most sacred text enters its most commercial performance venue?
Playing God focuses on eleven financially and/or critically
successful productions, as well as a few notable Broadway flops
that highlight the difficulties in adapting the Old and New
Testaments for the stage. The book is informed by both performance
studies and theater history, combining analysis of play-scripts
with archival research into the actual circumstances of production
and reception. Biblical plays, Henry Bial argues, balance religious
and commercial considerations through a complex blend of spectacle,
authenticity, sincerity, and irony. Though there is no magic
formula for a successful adaptation, these four analytical lenses
help explain why some biblical plays thrive while others have not.
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