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Screen Saviors - Hollywood Fictions of Whiteness (Paperback)
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Screen Saviors - Hollywood Fictions of Whiteness (Paperback)
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Screen Saviors studies how the self of whites is imagined in
Hollywood movies by white directors featuring white protagonists
interacting with people of another color. This collaboration by a
sociologist and a film critic, using the new perspective of
critical "white studies," offers a bold and sweeping critique of
almost a century's worth of American film, from Birth of Nation
(1915) through Black Hawk Down (2001). Screen Saviors studies the
way in which the social relations that we call "race" are
fictionalized and pictured in the movies. It argues that films are
part of broader projects that lead us to ignore or deny the nature
of the racial divide in which Americans live. Even as the images of
racial and ethnic minorities change across the twentieth century,
Hollywood keeps portraying the ideal white American self as
good-looking, powerful, brave, cordial, kind, firm, and generous: a
natural-born leader worthy of the loyalty of those of another
color. The book invites readers to conduct their own analyses of
films by showing how this can be done in over 50 Hollywood movies.
Among these are some films about the Civil War Birth of a Nation,
Gone with the Wind, and Glory; some about white messiahs who rescue
people of another color Stargate, To Kill a Mockingbird,
Mississippi Burning, Three Kings, and The Matrix; the three
versions of Mutiny on the Bounty (1935, 1962, and 1984) and
interracial romance Guess Who's Coming to Dinner. Forty years of
Hollywood fantasies of interracial harmony, from The Defiant Ones
and In the Heat of the Night through the Lethal Weapon series and
Men in Black are examined. This work in the sociology of knowledge
and cultural studies relates the movies of Hollywood to the large
political agendas on race relation in the United States. Screen
Saviors appeals to the general reader interested in the movies or
in race and ethnicity as well as to students of com
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