Bhabha, in his preface, writes 'Nations, like narratives, lose
their origins in the myths of time and only fully encounter their
horizons in the mind's eye'.
From this seemingly impossibly metaphorical beginning, this
volume confronts the realities of the concept of nationhood as it
is lived and the profound ambivalence of language as it is written.
From Gillian Beer's reading of Virginia Woolf, Rachel Bowlby's
cultural history of Uncle Tom's Cabin and Francis Mulhern's study
of Leaviste's 'English ethics'; to Doris Sommer's study of the
'magical realism' of Latin American fiction and Sneja Gunew's
analysis of Australian writing, Nation and Narration is a
celebration of the fact that English is no longer an English
national consciousness, which is not nationalist, but is the only
thing that will give us an international dimension.
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