This volume explores the relationship between the poetry of the
mainstream and kinds of modernist poetry that have had to make
their way outside it. Mainstream poets like Paul Muldoon, James
Fenton and Carol Ann Duffy multiply voices and so draw on resources
from the novel - Bakhtin's concept of the dialogic is therefore
used to explain their techniques. By contrast, Shklovsky's concept
of "estrangement" is shown to be more useful in accounting for the
radical experimentation of poets like Edwin Morgan, Christopher
Middleton and Denise Riley. However, the book concludes by
suggesting that - partly because of the influence of surrealism in
women poets like Selima Hill and Jo Shapcott - the mainstream has
recently been infiltrated by modernist and postmodernist
estrangement effects.
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